Biblioteca Campana

© Franco Carbone . Published on September 02, 2013.

Desarrollo Biblioteca Municipal de la ciudad de Campana.

© Franco Carbone . Published on September 02, 2013.

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Adyacente a la autopista Buenos aires – Rosario – Córdoba, se sitúa la Ciudad de Campana. Dentro de este marco se encuentra inscripto el nuevo edificio para la Biblioteca Municipal de Campana, constituida a través de la generación de dos barras yuxtapuestas que contienen la totalidad del programa, el cual se divide en cuatro niveles que contienen la totalidad de los usos públicos y privados, que general el total del edificio.

CEPIT Tandil

© Franco Carbone . Published on September 02, 2013.

Desarrollo del Polo Informatico Tandil.

© Franco Carbone . Published on September 02, 2013.

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Ubicada en el sureste de la provincia de Buenos Aires, en el centro-este de la Argentina, sobre la cadena serrana del sistema de Tandilia, se encuentra Tandil. Dentro de este contexto se encuentra ubicado el anteproyectos para la sede del Polo Informático de Tandil, el mismo se resuelve a partir de la materialización de una pieza compacta que contiene todo el programa del edificio.

There is today an enormous potential in the re-scripting of grand industrial spaces, survivors from an epoch that had less trouble expressing itself and its mechanical or technical potency than our current mean and exploitative ‘global shopping-centre-culture’. One thinks of São Paulo’s Fábrica da Pompéia by Lina Bo Bardi, London’s Tate Bankside, or the Zollverein Coal Mine in Essen, Germany.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

This was our first reaction as our client drove his black Porsche into the rusting cathedral of Hannover’s ‘U-boat Hall’. Was it a panic reaction at the end of WW II to build a submarine production space so far from the North Sea? The structure of the hall had in fact been originally designed for a U-boat production site of a naval dockyard in Wilhelmshaven. As it turned out the enigmatically named ‘U-boat Hall’ was only finished in 1944 and was thus not used for armament production.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Now sliced like salami the ‘Industrial Heritage Structure’ is to house various commercial outlets – a mega Bicycle Emporium where racing bikes can be tested in the shop or this landscape of coloured furniture.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

This is in fact two shops; RS (wholesome wood) and Yellow (sub-designer). BOLLES+WILSON have already realized their flagship store in Münster and the HQ Building, a rooftop lake above a ‘big box’ two-floor warehouse/distribution centre.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

For the ‘U-boat Hall’ the rent was based on the square meters of the hall’s floor. The architectural question was how to maximize this floor area with a selling landscape and a back of house warehouse for customers to pick up their new sofa / table / lamp.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

The magnificent scale of rusting columns, elevated crane track and skylight box, resist the invasion of domestic equipment, relegating it to the status of ‘a carpet of coloured pixels’ spread across the selling decks.

Planning: March 2010 – May 2011 [planning phases 2-4]
January 2012 – April 2012 [planning phase 5]
Realisation: October 2012
Gross floor area: 7.300 m2
Building costs: ca. 1,7 Mio Euro (except from facade renovation and technical installations)

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

Photo by Olaf Mahlstedt. © BOLLES+WILSON. Published on September 02, 2013.

© Bolles+Wilson . Published on September 02, 2013.

© Bolles+Wilson . Published on September 02, 2013.

Casa unifamiliare a Talamona (SO)

© Giovanni Vanoi . Published on September 02, 2013.

Inserimento ambientale fotorealistico

© Giovanni Vanoi . Published on September 02, 2013.

Viste tridimensionali di studio

© Giovanni Vanoi . Published on September 02, 2013.

Le sponde del fiume Chiese, sono state da sempre un luogo di incontro e di piacere per intere generazioni. Negli ultimi 20 anni si è registrato un progressivo abbandono delle attività che si svolgono lungo il corso fluviale. Attualmente la qualità del paesaggio viene apprezzata prevalentemente dai nuovi immigrati, che ne colgono senza pregiudizi la straordinaria bellezza. Il progetto attraverso l’inserimento di percorsi naturalistici e strutture leggere promuove la riscoperta di questo luogo riportando l’attenzione al grande patrimonio paesaggistico italiano prevalentemente inespresso. Il sistema costruttivo in profili di metallo rettangolari cavi favorisce lo scorrimento e il deflusso delle acque del fiume in occasione delle piene stagionali

Photo by Martina Mambrin. © Archiplanstudio. Published on September 02, 2013.

Photo by Martina Mambrin. © Archiplanstudio

© ARCHIPLAN STUDIO // Diego Cisi e Stefano Gorni Silvestrini Architetti . Published on September 02, 2013.

Photo by Martina Mambrin. © Archiplanstudio. Published on September 02, 2013.

Photo by Martina Mambrin. @ Archiplanstudio. Published on September 02, 2013.

Photo by Martina Mambrin. © Archiplanstudio. Published on September 02, 2013.

Photo by Martina Mambrin. © Archiplanstudio. Published on September 02, 2013.

Photo by Martina Mambrin. © Archiplanstudio. Published on September 02, 2013.

Due to its location, this Project has the potential to become a reference space for social interaction and community activities in Lalín. The proposal picks up on the municipality’s building strong circular and cylindrical shapes and extends that design language to ‘plaza de Galicia’ and the building surroundings.

presentation panel

© laND30 . Published on September 02, 2013.

The intervention is composed of two distinct spaces: the city hall’s surrounding and plaza de Galicia. They have very different uses but can be understood as a whole through the use of the same design vocabulary, namely circular shapes and the use of the same species of vegetation.

panoramic view

© laND30 . Published on September 02, 2013.

City hall’s surrounding: This area is designed to be of visual support for the architecture. It is composed of circular planters embed in the lawn with colourful herbaceous plants and trees that dress up the architecture and create interesting viewpoints. Things like the search for geometric harmony, colour, texture and seasonal variation were taken into account in the design to establish a special dialog with the building through the reflexions produced by the facades.

panoramic view

© laND30 . Published on September 02, 2013.

Plaza de Galicia This area is intended to have an intense and diverse human usage. For this reason the space is composed of several elements and zones that favour different usages. The central flat surface is the largest space and is where the more active interactions and activities will take place. This main area is adjacent to a linear walkway that borders and serves as an access to the surrounding buildings. The division between these two zones is made by yet another zone that connects and interacts with both of them and is composed of circular lawn mounds, wood paths and planting to generate a calmer environment.

plan and section

© laND30 . Published on September 02, 2013.

The mounds besides the visual interest will generate different situations that will appeal to people. The different inclinations, sun and visual exposure supported by benches and tables as well as a children’s play area will allow the enjoyment of the space in a variety of ways.

elements on plaza de Galicia to be done in stages

© laND30 . Published on September 02, 2013.

Between the lawn mounds there is also a shallow pool that will reflect the sky when still but will also have water jets that can be activated in the summer for the enjoyment of the young while refreshing the environment. It can also be drained of water to function as a paved area according to the activities planned at each moment in the plaza.

The project is being implemented in stages and works for the first stage have already started.

Edificio commerciale a Castione Andevenno (SO)

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

Parco Commerciale di Castione Andevenno (SO)

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

vista tridimensionali di studio

© Giovanni Vanoi . Published on September 02, 2013.

vista tridimensionale di studio

© Giovanni Vanoi . Published on September 02, 2013.

• Iscrizione all’associazione IUAV ALUMNI ( http://www.iuavalumni.it/ ). • Partecipazione al corso di ricerca e formazione post laurea “IL PROGETTO di ARCHITETTURA. GESTIONE e CONTROLLO di INTERVENTI COMPLESSI”, organizzato da IUAV ALUMNI insieme all’UniversitàIUAV di Venezia e con il contributo della Regione Veneto. Periodo: Novembre 2010 – Giugno 2011( http://www.iuavalumni.it/attivita/il-progetto-di-architettura-ricerca-sperimental/). Attestato rilasciato il 27 Giugno 2011.

© Giovanni-Massimiliano Bobbo . Published on September 02, 2013.

Introduzione: Il programma funzionale previsto dal concorso è complesso ed articolato e da realizzarsi con fasi e tempistiche diverse. La proposta si pone l’obiettivo di redigere un progetto architettonico fortemente relazionato al contesto in cui si inserisce, lavorando al contempo alla scala del paesaggio ampezzano e alla scala edilizia che il grande edificio adiacente impone. Particolare attenzione è stata posta all’organizzazione del progetto tra la prima e seconda fase, cercando di garantire comunque un edificio a carattere unitario anche alla fine della sola prima fase.

concept

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

Una lettura sintetica ed immediata evidenzia come tutti gli spazi di servizio e gli spazi comuni sono inglobati in un grande progetto di suolo che ibrida il volume degli spazi comuni al suolo inclinato esistente, da cui escono le “torri” di altezza differente ad uso residenziale.

diagrammi

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

• Distribuire gli spazi comuni e gli spazi ad uso collettivo in un unico piano al fine di semplificarne la fruizione.
• Il piano è suddiviso in fasce parallele direzione Nord-Sud con funzioni similari:. – spazi di servizio e garage – palestra e spogliatoi e ambulatorio – Ingresso e spazi di servizio – Spazi collettivi e di relazione
• Collegare le fasce parallele con dei percorsi trasversali che dal parcheggio arrivano sino agli spazi comuni posti ad Ovest e con vista panoramica a valle.
• Organizzare la residenza in quattro blocchi autonomi di altezza diversa sopra al piano dei servizi comuni.
• Garantire il massimo della flessibilità d’uso degli spazi definendo accessi indipendenti per le funzioni autonome (residenza, palestra e spazi comuni).
• Definire il tetto giardino come spazio connessione tra i parcheggi, il piano degli spazi collettivi e le residenze. Il tetto giardino garantisce inoltre un percorso alternativo ed indipendente di accesso alle residenze.
• Progettare le unità residenziali garantendo corretto orientamento (Est-Ovest), spazi razionali ed accessibili, facilità di collegamento con gli spazi collettivi e ingresso autonomo dal parco.

pianta interrato

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

pianta tetto giardino

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

render

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

assonometria caratteri funzionali

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

tavola tot

© VALERI.ZOIA architetti associati . Published on September 02, 2013.

Casa unifamiliare ad Ardenno (SO)

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

Casa unifamiliare a Castione Andevenno (SO)

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

Area per la prima colazione di un complesso turistico opera in acciaio e legno

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

© Cosimo Zaccagnino . Published on September 02, 2013.

Villa unifamiliare a Berbenno di Valtellina (SO)

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Photo by F. Garlaschelli Sondrio. Published on September 02, 2013.

Osservando la morfologia di Moena, ma soprattutto cercando di comprendere le vere esigenze viabilistiche della località, ci siamo accorti che la zona di espansione a ovest della Polizia è assolutamente carente di parcheggi pubblici. Tale zona, fortemente votata al turismo, non solamente necessita di uno sbocco più rapido verso la circonvallazione, ma soprattutto richiede una maggiore disponibilità di posti auto. Il gruppo di progettazione si è così posto come punto di primaria importanza la trattazione del tema del collegamento viabilistico sia come infrastruttura di attraversamento che come parcheggio scambiatore di flussi. L’idea di progetto concepisce perciò un corpo unico e radicale, dove l’attraversamento stradale ed i parcheggi richiesti sono fortemente integrati. Una volta stabilito il linguaggio architettonico e le strategie da adottare, al fine di inserire l’oggetto in un contesto paesaggistico meraviglioso da preservare e tutelare, abbiamo proceduto con il dimensionamento del parcheggio. L’intervento proposto permette inoltre un cospicuo risparmio in termini di costi rispetto al Progetto Moena 2010-2025, dal momento che l’attraversamento stradale rimane in superficie e si prevede lo scavo di un solo piano interrato.

© stefano sessolo architetti . Published on September 02, 2013.

© stefano sessolo architetti . Published on September 02, 2013.

© stefano sessolo architetti . Published on September 02, 2013.

il progetto si è rivolto soprattutto allo studio degli interni.

© paola nardella . Published on September 02, 2013.

© paola nardella . Published on September 02, 2013.

© paola nardella . Published on September 02, 2013.

© paola nardella . Published on September 02, 2013.

© paola nardella . Published on September 02, 2013.

Ristrutturazione edificio rurale e trasformazione in studio professionale a Sondrio

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

© Giovanni Vanoi . Published on September 02, 2013.

Usually they say that the successful interior is a beneficial combination of environmentally friendly contemporary decorative materials, design furniture, sanitary equipment and home appliances … Nevertheless, the interior of an apartment located in the heart of Kiev’s historical district has a much more valuable treasure – an idea…

© Alex Bykov . Published on September 02, 2013.

A young creative couple had been looking for an architect, when their designer friend recommended them Alex Bykov. The couple was preparing for a wedding and decided to spend their honeymoon in an atmosphere of the renewed apartment. After a fruitful discussion of suggestions and proposals the concept of “constant motion” was born. Furthermore the concept became the main vector of planning design and stylistic solutions of the interior.

© Alex Bykov . Published on September 02, 2013.

The concept of movement appears through the spacial design areas such as the bedroom, the lounge, the library and the bathroom are located surrounding the kitchen, the historical symbol of the “family’s heart”. So you can move from one room to another in an uninterrupted circle, since the spaces flows smoothly into each other.

© Alex Bykov . Published on September 02, 2013.

The windows face to the South-East side ,which is why the living room and the bedroom are filled with an early morning’s golden shine. The interior has a cozy warm coloring due to the pastel brick walls, the natural texture of wood and soft furniture. During the process of dismantling it was discovered that the doorways had previously been blocked . Alex decided to shift the doorways by using the original bricks with an authentic early 20th centry mark. The brick was bought from junkman and carefully laid into the living room wall.

© Alex Bykov . Published on September 02, 2013.

The built-in library – a primary wish of the couple, was designed to house the family library. The library has a podium, which was designed to provide more space for storage. It was decided to make two types of shelves for the library; thus this flexible solution gives an opportunity to change the geometric pattern of shelves in the future. Alex also designed all the furniture and prepared individual work drawings. The woodwork was made from low cost materials.

© Alex Bykov . Published on September 02, 2013.

Artificial lighting is dim, warm and comfortable. Decorative lamps are by Ukrainian designers Anna Popovych and Vasyliy Butenko; the ceiling lamp, which were presented to the newly-weds by close friends as a wedding gift, are by ‘Artemide’.

© Alex Bykov . Published on September 02, 2013.

Wrought-iron products also bespoke immediately grab attention: the legs for the coffee and dining tables, a mirror in the bedroom, a sleeve for the hood and a window .

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

© Alex Bykov . Published on September 02, 2013.

The Casa da Calçada was one of the dominant buildings in the vineyard village of Provezende in the Douro region, Portugal. The house has a regular and symmetric displacement, drew according the 16th century scholar architecture. House and chapel define the street and a small square that plays an important role in the urban public space of the village.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

The property was the seat of a wide range of vineyard acres, punctuated by several small buildings of agricultural character built to support the productive activities. Those buildings were meanwhile abandoned. They consist in a group of small vernacular stone buildings, placed around a small patio next to the main house. The project consists in its conversion into hotel rooms.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

Our intervention can be summarized by the dispersion of hotel rooms within the small buildings avoiding new constructions. The proposal was about to open new spaces within the cluster of buildings and reveal the beauty of the new use within the old ruins. The proportions of the old buildings were corrected and new materials find they place among the old stones. The swimming pool is located inside the main ruin.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

©. Published on September 02, 2013.

©. Published on September 02, 2013.

© Nuno Gaspar/rcjv Arquitectos. Published on September 02, 2013.

Before intervention.

© rcjv Arquitectos. Published on September 02, 2013.

Before intervention.

© rcjv Arquitectos. Published on September 02, 2013.

Before intervention.

© rcjv Arquitectos. Published on September 02, 2013.

Before intervention.

© rcjv Arquitectos. Published on September 02, 2013.

Axonometric perspective.

© Ricardo Carvalho + Joana Vilhena Arquitectos . Published on September 02, 2013.

Location.

© rcjv Arquitectos. Published on September 02, 2013.

Plan. Level 0.

© rcjv Arquitectos. Published on September 02, 2013.

Plan. Level 1

© rcjv Arquitectos. Published on September 02, 2013.

Il progetto prevede la trasformazione completa di un appartamento per soddisfare le esigenze dei proprietari: una giovane coppia con il sogno di una famiglia numerosa. La casa si sviluppa su due livelli, al primo si trova la zona living mentre al piano superiore sottotetto la zona notte. Entrando in casa la scala a chiocciola, realizzata completamente in ferro nero senza viti né elementi tecnologici in vista, si presenta come una grande scultura che buca il soffitto e collega i due livelli della casa. Davanti alla scala una grande parete vetrata, realizzata con lame in vetro stop sol grigio, divide la cucina dall’ingresso creando una separazione semitrasparente che reagisce ai riflessi della luce naturale in modo sempre diverso. La cucina è completamente laccata bianca con piani in corian e si dispone attorno alla penisola centrale aprendosi direttamente verso il pranzo, così da avere un unico spazio collegato con il soggiorno. Nel living due grandi pannelli scorrevoli in legno spazzolato laccato rosso lucido dividono rispettivamente cucina e bagno ospiti dalla zona pranzo, diventando i protagonisti di questo spazio: come due grandi quadri monocromatici che vanno da terra a soffitto, i pannelli diventano quinte sceniche movibili all’interno della casa. Il soggiorno è composto da due aree: la prima con il volume in pietra Nero Assoluto del camino, attorno al quali sono disposte diverse sedute scelte tra i pezzi di design storico e contemporaneo; la seconda area è dedicata al mobile tv – libreria al quale viene contrapposto il grande divano tessile posizionato contro parete. Le due aree attigue sono collegate da un divano circolare ruotante che in base alla sua posizione può essere dedicato alla tv o al camino. Al piano superiore il tetto in legno è stato completamente tinteggiato in bianco nelle camere da letto e ribassato in cartongesso nelle aree comuni così da avere due diversi tipi di spazi: quello delle camere caldo e materico mentre quello dei disimpegni neutro e minimale. Le due camere dei figli hanno un sistema di letti, scrittoi e armadi realizzati a misura per sfruttare tutto lo spazio disponibile, assecondando l’inclinazione del tetto e gli abbaini curvi che portano luce nei locali. La zona notte dei genitori è articolata in diversi spazi: si entra attraverso una cabina armadio passante che porta alla camera, dove una grande letto tessile si appoggia allo schienale in legno spazzolato bianco realizzato a misura per integrare il sistema di riscaldamento e un mobile cassettiera. Un focolare (a bioetanolo) trova posto nella nicchia in pietra Nero Assoluto che collega la camera matrimoniale al bagno attraverso la parete vetrata della doccia: la presenza del fuoco, dell’acqua, della pietra e del legno definiscono una grande zona relax separata dal resto della casa che può essere allo stesso tempo spazio intimo per i genitori ma anche un luogo speciale per tutta la famiglia. Tutti i pavimenti sono in legno rovere naturale, i rivestimenti dei bagno sono in resina grigia, il pavimento del bagno matrimoniale è in pietra Nero Assoluto.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.

© BURATTI+BATTISTON ARCHITECTS . Published on September 02, 2013.