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S&A Home - Marco Aceti

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Nuova distribuzione zona giorno, nuovo arredo a misura

Marco Aceti — S&A Home

Marco Aceti — S&A Home

Progetto

Marco Aceti — S&A Home

Marco Aceti — S&A Home


GL Home - Marco Aceti

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Ristrutturazione grande appartamento con riduzione di una camera da letto e grande living open space.

Marco Aceti — GL Home

Marco Aceti — GL Home

Stato di Fatto

Marco Aceti — GL Home

Progetto

Marco Aceti — GL Home

Sovrapposizione

Marco Aceti — GL Home

Marco Aceti — GL Home

Marco Aceti — GL Home

Nuova villa - Marco Aceti, gabriella mastroleo

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Progetto preliminare per la realizzazione di edificio in cui è possibile realizzare una villa unifamiliare, oppure una bifamiliare, oppure 4 alloggi

Marco Aceti, gabriella mastroleo — Nuova villa

Marco Aceti, gabriella mastroleo — Nuova villa

Inquadramento territoriale

Marco Aceti, gabriella mastroleo — Nuova villa

Pianta al suolo

Marco Aceti, gabriella mastroleo — Nuova villa

Sezione

Marco Aceti, gabriella mastroleo — Nuova villa

Marco Aceti, gabriella mastroleo — Nuova villa

Marco Aceti, gabriella mastroleo — Nuova villa

B.M. Home - Marco Aceti

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Progetto per ristrutturazione globale piano terra di villa bifamiliare, nuovo ingresso, nuovo patio, ampliamento volumetrico con ampliamento balcone al P1.

Marco Aceti — B.M. Home

F.B. Home - Marco Aceti

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Ristrutturazione globale alloggio

Marco Aceti — F.B. Home

CUBO - Piergiorgio Angius, Alessandro Matteu

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The climate area the project has been thought for is the Mediterranean area. The main trait of this climate is a long period of drought during summer season and particularly temperate winters. The sea influences the climate accumulating heat in summer and releasing it during winter. Designing following a most focused area it has been choose the island of Sardinia, in the heart of Mediterranean sea. Its climate presents all the main traits of the Mediterranean climate, in addiction it is exposed to cold north-western wind and warm south-eastern wind more than others. The average maximum temperature in summer is 28°C. The average minimum temperature in winter is 5°C. The yearly relative humidity is 70%.

Piergiorgio Angius, Alessandro Matteu — CUBO

The first steps was a simple square based prism. Thinking in terms of modular volumes the cube, or regular prism, is the most easily adaptable shape. To reach the goal of a one hundred square meters house the best way to approach the project was to think about a module that could be repeated. Designing modules or standard units that are stackable reduce costs of production and the time of building. In this case the standard unit is a model of 25 square meters, it can be connected to other units to fid the shape and the usable surface the user needs. The real project is the module itself, we just propose one solution to combine four units as a single house of one hundred square meters. Our solution is the best compromise among shape ratio, living comfort conditions, users’ good feelings and ease of production. Our proposal, is made by four blocks in two levels. The shape ratio is not the most favorable but it represents the best compromise to create the best ambient where to live. Combining units in this way give the final product a well-organized space inside and a usable space outside on the roofs terraces. Being the standard units stackable it is possible to create a lot of different shapes responding every time to the particular needs of the situation. On the right other three different shapes grown from assembling four units: the tower, the stick and the square. The dimensions of the standard unit are always the same to simplify the production process: five metres for five meters in plan, for three meters in height. Moreover the unit too is made by standard panels for walls, windows and roofs.

Piergiorgio Angius, Alessandro Matteu — CUBO

The standard unit is designed following the environmental needs of the climate area where it is supposed to be built. In addition also the materials used are strongly linked with Sardinia. For example the insulation is made by two different very performing materials as cork and wool. These two materials are currently in production directly in Sardinia and are used in architecture and building engineering. The external wall has a double layer of insulation made by cork and wool. Its U value is 0,279 W/sqm-K. The basement and the cover of the single module have only one double layer of cork and their U values are respectively 0,37 and 0,3. These values respond to the Italian laws about insulation for the Sardinian climate area. The module could be a new way to optimize design in Mediterranean temperate climate and areas similar to Sardinia as southern Spain, Portugal, Greece and Turkey.

Piergiorgio Angius, Alessandro Matteu — CUBO

The house is composed by four connected units on two levels. The vertical block is the night area, with two bedrooms and two bathrooms, the other two units are the living room/studio and the kitchen/dining room. These two units have the roof terrace. The distribution of the inner space is simple. The entrance door is in the living room that is connected to the kitchen and has the access to the staircase. A little space works as access room for the bedroom and the bathroom on the ground floor. The first floor is made by one unit and has one bedroom and a bathroom. The space is organized to give all the activities a clear area. A single modul coincides with a single activity. For example the living room and the studio area are one module. The kitchen and the dining room are another separate module. Every bedroom with its bathroom is another separate module. As the construction process is divided in simple units so the house and the spaces are. This kind of organization allows the user to customize his own house organizing the space as better as he wants and needs.

Piergiorgio Angius, Alessandro Matteu — CUBO

The solar shading devices on the south façade are made by screens of little wooden sheets. The whole panel can rotate of 90° from vertical position to horizontal one. The little sheets can rotate too following the sun position to work better. The first and the second image on the left represent the solar shading device during summer, the first one has the panel horizontal and the sheets rotated of 30° in the way the direct light cannot cross them but it is reflected in order to let diffuse light passing through. In the second scheme the panel is vertical and the little sheets are horizontal in order to avoid glare effects and to allow illumination by diffuse light. The third image on the right shows the position of the single parts of the device during winter, when the sun light is less powerful and diffuse light is not always sufficient. For this reason the single sheets are rotated in order to let direct light passing through allowing the contribution of solar heat in the same time. On the right side there is the bioclimatic section to show passive and active strategy to increase the way of working of the house.

Piergiorgio Angius, Alessandro Matteu — CUBO

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Piergiorgio Angius, Alessandro Matteu — CUBO

Here there are the final studies on the single module about daylight factor, daylight autonomy and useful daylight index. The DF is about 4% and daylight autonomy is 90%, it means natural light is sufficient during the day with no electrical light needed. UDI, finally, is a quality analysis of the light. It measures the quality. The value is about 85% and it means that the light that goes inside the inner space is included between 100 and 2000 LUX. So that there are not glare effects or too dark places inside the room. All light analyses were performed with Radiance and Daysim software.

Piergiorgio Angius, Alessandro Matteu — CUBO

Piergiorgio Angius, Alessandro Matteu — CUBO

Piergiorgio Angius, Alessandro Matteu — CUBO

Piergiorgio Angius, Alessandro Matteu — CUBO

Piergiorgio Angius, Alessandro Matteu — CUBO

CONCORSO DI IDEE PER LA VALORIZZAZIONE DELLE MURA RINASCIMENTALI DELLA CITTA' DI SABBIONETA" - Progetto Musst - Stefano Campanini, Merlo Vittorio

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Il progetto nasce dalla proposta di riqualificazione e valorizzazione delle mura della città di Sabbioneta, per dare un nuovo impulso e un nuovo modo di vivere a questa città ricca di patrimonio culturale.

Stefano Campanini, Merlo Vittorio — CONCORSO DI IDEE PER LA VALORIZZAZIONE DELLE MURA RINASCIMENTALI DELLA CITTA' DI SABBIONETA"  - Progetto Musst

Panoramica d'ingresso al nuovo museo delle mura

Testo del bando: Il Polo territoriale di Mantova del Politecnico di Milano organizza un concorso d’idee finalizzato all’acquisizione di proposte progettuali che valorizzino e riqualifichino il sistema di mura rinascimentali del Comune di Sabbioneta. Il sistema di fortificazione muraria di Sabbioneta costituisce uno degli ambiti di progettazione urbana previsti dal Piano di Gestione del sito Unesco. Alle mura che cingono Sabbioneta non viene più riconosciuto il solo valore di monumento architettonico testimone storico di un epoca, da assoggettare a rigorosi interventi di manutenzione e di restauro, ma anche e soprattutto di componente essenziale della struttura urbana ed in particolare di fattore relazionale in grado di fornire un contributo rilevante nel recupero e nella riqualificazione dell’intera città esistente.

Link: http://europaconcorsi.com/competitions/205764-Valorizzazione-delle-mura-rinascimentali-del-comune-di-Sabbioneta-proroga-

Kfarhbab 1219 residential project - Gerard

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A house is made of walls and beams a home is built with love and dreams ,

Gerard — Kfarhbab 1219 residential project

Sculpted by the lebanese architect Gerard Ghandour , Kfarhbab 1219 is a residential complex located in the heart of kfarhbab, a luxury region located in kesserwan lebanon.

Gerard — Kfarhbab 1219 residential project

Thios complex dominates by its panoramic mountain and sea view .

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project

Gerard — Kfarhbab 1219 residential project


The City-Embrace - JDAP Design - Architecture - Planning

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JDAP [www.jdap.in] has designed a new gymnasium in Korea as part of the Dalseong Citizen’s Gymnasium International Competition. The proposal sees this important public building in a beautiful terrain re-establish the primacy of public architecture within the city and attempts to forge a new relationship with its environment and its people.

JDAP Design - Architecture - Planning — The City-Embrace

Entrance View

Competition Text follows:

JDAP Design - Architecture - Planning — The City-Embrace

View from Bridge

The new gymnasium at Daelseung-gun must embody a new set of relationships with its context to become a public building that is truly cherished by the people it is meant to serve. Korea has a tradition of public building complexes that meld landscape and builtform to create memorable environments and experiences for its people, [significant among which is the Do-dong Confucian Academy complex a few kilometres from the gymnasium site].

JDAP Design - Architecture - Planning — The City-Embrace

View along Cafe

The gymnasium continues with this tradition, in first restoring the hill upon which the building must stand. In a hilly landscape where the backdrop of the hills and the presence of the Nakdong river form a constant reminder of the natural environment within which the city has grown, minimising of building footprint forms a crucial starting step. The form of the building derives from a non-convex, open plan-form that optimises the distance between spectators and the play area and between spectators themselves, forming a more intimate relation between players and the spectators.

JDAP Design - Architecture - Planning — The City-Embrace

Interior View

This form also allows open space to infiltrate the gymnasium as compared to a closed, convex plan-form and in doing so, the building reaches out to vistas over the city and the landscape in an open outstretched gesture.

JDAP Design - Architecture - Planning — The City-Embrace

View from Road

Climate plays an important role in the design of the gymnasium as well. The sloping planes of the roof split to form a large central skylight to bring natural light deep into the heart of the playing space. The skylight alongwith the raised building together serve to create a stack effect that exhausts hot air from the building in summer.

JDAP Design - Architecture - Planning — The City-Embrace

Concept Narrative

In winter, the earth sheltered lower storeys use the principle of traditional Korean heating -the Ondol Floor to transfer heat to the large thermal mass concrete floor slab. The form of the building also echoes the dominant roofscapes of traditional Korean and Far-Eastern traditional architecture.

JDAP Design - Architecture - Planning — The City-Embrace

Roof Plan with Site

Successful public buildings must engage with the various facets of their context. The new gymnasium at Daleseung-gun does so in an emphatic city embrace !

JDAP Design - Architecture - Planning — The City-Embrace

Entrance Level Plan

JDAP Design - Architecture - Planning — The City-Embrace

Upper Level Plan

JDAP Design - Architecture - Planning — The City-Embrace

Lower Level Plan

JDAP Design - Architecture - Planning — The City-Embrace

Section

JDAP Design - Architecture - Planning — The City-Embrace

Program Distribution

JDAP Design - Architecture - Planning — The City-Embrace

South Elevation

JDAP Design - Architecture - Planning — The City-Embrace

North Elevation

Reggia di Caserta - Gnosis Architettura

House B&B - emma scolari

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Ristrutturazione di villa unifamigliare di 100 metri quadrati con ridisposizone interna dei tavolati e rinnovamento globale delle rifiniture interne ed esterne.

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

emma scolari — House B&B

Nuove residenze - MTARCHITETTURA - Mario Tortelli Architetto

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Complesso di novanta alloggi in edilizia libera siti nell’hinterland di Milano, aventi quattro e cinque piani fuori terra, caratterizzati da soluzioni per il risparmio energetico come il cappotto esterno e dotati di frangisole in legno sulle balconate che danno verso la corte interna pedonale del complesso.

MTARCHITETTURA - Mario Tortelli Architetto — Nuove residenze

vista interna

MTARCHITETTURA - Mario Tortelli Architetto — Nuove residenze

vista laterale esterna

Tissue - RATIO arkitekter

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UiO Life sciences building

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

RATIO arkitekter — Tissue

Penhouse in Valencia - DG Arquitecto Valencia

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As in most of our projects our starting point is the conditioning factors. We always analyze them and try to introduce them into the project in order to come up with a “simple and to-the-point” final solution that best adapts to the client’s needs. In this case a young couple with a kid.

DG Arquitecto Valencia — Penhouse in Valencia

Client Conditioning elements: There we two main concerns the clients had. One was their need for maximum height in all spaces. 3,20 meters approx. was set up as our staring point. The other was their needs as attic users. In this case it meant having three rooms, two rest rooms and a brand new terrace, which had previously been eliminated by the previous owners.

DG Arquitecto Valencia — Penhouse in Valencia

Attic layout conditioning elements: As previously stated the attic’s maximum height point was 3,20 meters, however there were three porticos that reduced this height to 2,70 meters. The existence of these porticos could have first seemed like a handicap, but actually ended up being key to the project’s final solution. We used the porticos and facades as natural boundaries to a three-area house solution: 1) Day area (kitchen, living room and terrace) 2) Relations area ( rest rooms, dressing room and distributing hall) 3) Night area (rooms)

DG Arquitecto Valencia — Penhouse in Valencia

Proposal: After presenting the clients with a couple of first drafts we went for a big central space kitchen/dinning room located at the house’s entrance. This central area, along with the living room, make the day area.

DG Arquitecto Valencia — Penhouse in Valencia

These two main rooms have access to the outdoors terrace that has now become an import part of the attic, thus satisfying one of the client’s main demands.

DG Arquitecto Valencia — Penhouse in Valencia

This area becomes the great “leading character” upon arrival at the attic. The relations area (rest rooms, dressing room and distributing hall) was the only area in the whole attic where the height was slightly lowered. This allowed for all the necessary climate-control and housing electronics to be installed without compromising the rest of the attic’s height. Finally the night area was made up of three equally-sized living rooms that are naturally lit by the central courtyard.

DG Arquitecto Valencia — Penhouse in Valencia

DG Arquitecto Valencia — Penhouse in Valencia

LA VENTANA INDISCRETA - ACABADOMATE

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La vivienda está ubicada en la última planta de un edificio del Eixample de Barcelona. Se trata de un apartamento que había sido anteriormente dividido en dos y la parte objeto de la intervención ocupa la mitad hacia el patio interior de manzana. El proyecto se propone de superar el vinculo del largo pasillo y el desarrollo en profundidad del espacio a través de la sucesión de divisiones trasparentes y opacas y de cambios de pavimentos. El resultado es un refugio urbano construido a partir de la luz y el silencio, un escenario doméstico abierto y dutíl donde la mirada se mueve al interior sin que nada atraiga su atención, como en los interiores japoneses. La mampára de vidrio de la habitación de invitados corta, desde la entrada, el efecto pasillo. El volumen de madera, que contiene el baño de invitados y el de cortesía, delimita un lado de la cocina, creando un espacio recogido aunque si abierto y de acceso a la sala. La pared librería dibujada como un volumen escavado, aprovecha y disimula la presencia de un cajón de instalación existente. La habitación principal conecta con el salón y con la galería, la gran ventana “indiscreta” donde se ubica el comedor y un espacio de lectura. El proyecto incluye la elección de los muebles y el dibujo a medida de todo el mobiliario fijo.

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA

ACABADOMATE — LA VENTANA INDISCRETA


Zona a Traffico Limitato e Bike-Sharing - Gnosis Architettura

POLIBIO - ACABADOMATE

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La vivienda está situada en la quinta planta de un edificio de los años treinta en Milán. El piso en origen disponía de una sola habitación con baño, el típico tinello – comedor integrado a la cocina – un lavadero y un pequeño salón. La intervención consistió en tirar los tabiques y reorganizar totalmente la distribución para crear un espacio luminoso y intimo, donde, aunque todo está comunicado, cada función tiene su ambiente, jugando con los colores y materiales para definirlos. La vivienda está claramente separada en dos partes – el área de día y el área de noche – mediante el pasillo en resina color azul oscuro que contrasta con el roble del resto del pavimento. Los colores de las paredes, en dos tonos de grises, y los cambios de pavimento se utilizan para definir los distintos ambientes: resina gris claro en la cocina; azul oscuro en pasillo, baño y comedor; madera de roble para la sala de estar y los dormitorios. En cuanto a la decoración, se elijen pocas piezas que acentúan la tranquilidad y la frescura que pretendían los propietarios.

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

ACABADOMATE — POLIBIO

PUTXINELLIS - ACABADOMATE, christian paolo baiocco

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Situada en el corazón del barrio de Sants, la pizzería/ restaurante Putxinellis se ubíca en una pequeña finca de la calle Salou. La intención principal del proyecto ha sido crear un ambiente intimista para que los clientes se sientan como en casa. La combinación de colores y materiales, la ausencia de objetos y decoraciones en las paredes crean un espacio neutro, donde predomina la atmósfera sobre la imagen. En el estado inicial, la planta baja tenía uso de restaurante y la planta superior de oficina. La exigencia de los proprietarios fue la de utilizar ambas plantas para la restauración. En la planta baja, el horno y el mostrador protagonizan la entrada. En el resto se articúlan dos mesas altas y una grande mesa para compartir antes de subir a la planta superior; al fondo se ubicán cocina y servicios. La escalera de chapa metálica se desarrolla alrededor del volumen rojo, que contiene los espacios técnicos necesarios al suministro de la cerveza en ambas plantas. En el primer piso, al quitar todas las divisiones internas y los falsos techos, se descubrío una cubierta a dos aguas con vigas de madera, que se recuperaron y dejaron a la vista.

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

ACABADOMATE, christian paolo baiocco — PUTXINELLIS

CAN RIVERETA - ACABADOMATE

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El proyecto de estudio previo de la Masía de Can Rivereta, ubicada en la comarca de la Segarra, surge de la necesidad de los propietarios de visualizar el potencial de la propriedad para transformarla en hotel rural. El cuerpo principal contaba con una planta baja, una planta primera con distribución y estructura original y una planta segunda que había sido objeto de una precedente reforma, en la cual se había reconstruido la cubierta y se habían modificado las aberturas de fachada. El proyecto prevé la reforma interior del cuerpo principal, el derribo del anexo con reconstrucción de un nuevo volumen de ampliación de la masía y la reconversión del gallinero, aprovechando sus muros existentes para ampliarlo y convertirlo en restaurante. El amplio espacio exterior se define a través de la definición de la valla y de los accesos, de un aparcamiento entre arboles, del dibujo de las zonas ajardinadas y de la piscina.

ACABADOMATE — CAN RIVERETA

En el cuerpo principal, la planta baja mantiene los paramentos de piedra vista y los espacios abovedados que ubicarán la recepción y una habitación de matrimonio. La escalera se re-dibuja, no pudiendo aprovechar la existente por incumplimiento de la normativa actual. En la planta primera se ubica la vivienda de los propietarios y en la planta segunda las habitaciones para los huéspedes, cada una con baño propio. El nuevo anexo se proyecta para albergar en planta baja dos mini apartamentos y en la planta primera el estudio de los propietarios conectado con su apartamento ubicado en la casa existente. Los materiales utilizados, tanto para la ampliación de la casa como para el restaurante son piedra para los muros, madera, acero corten y amplias superficies vidriadas para aprovechar de las vistas hacía el valle.

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

ACABADOMATE — CAN RIVERETA

The legend of Tent - Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio

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In-Out Tent Hotel

Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio — The legend of Tent

The In-Out Tent Hotel is an integrated hospitality system that combines the experience of outdoor life and indoor comfort in an intimate space, ensuring sustainability and reversibility.

Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio — The legend of Tent

Large There are few rules relating to the structuring of the site in any location, ensuring the functionality of the whole and harmony between the parts: Identifying the area Fencing the area to ensure privacy and security Defining a main perimeter path in order not to damage the landscape Placing centralized activities close to the main entrance Placing decentralized activities close to the main road Placing accommodation on the inner side, towards the landscape These rules generate a layout that can be used for each site, as in the master plan developed for the Changbai Mountain. Here, the centralized common activities (reception, restaurant, ballroom, common kitchen) and service areas (parking, storage) are located in close proximity to the main road. From here a peripheral path connects all accommodation tents. In addition to the restaurant there is an area designated as a communal open-air kitchen. This allows for the creation of conviviality among guests and maximizing the outdoor experience. The accommodation is organized into self-sufficient clusters. Each cluster includes a tent for the toilets near the main path and four tents for dwellings on the interior side, projected onto the landscape. There are four types of cluster, the romantic cluster, the deluxe cluster, the family cluster and the young cluster. Each cluster has a different category of tent depending on the needs of users in order to create pleasant cohabitation among guests.

Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio — The legend of Tent

Medium The In-Out Tent Hotel is based on a minimum module, a tent with various conformation and aggregation possibilities that has a portion of landscape inside. The site is thus structured to provide accommodation enjoying both an outdoor landscape and an internal landscape, one external and one internal space. This interaction thus creates the “in-out” duality at the heart of the project. In the design of the clusters, the in-out system allows for views projected across the landscape and ensures the privacy of the units. The minimum unit can be aggregated in order to obtain large areas to locate common activities.

Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio — The legend of Tent

Small The tent at the core of the In-Out Tent Hotel is fully relocatable and carbon free. It consists of: Wooden platform Structure of steel portals Tissue with micro photovoltaic cells Perimeter bamboo stiffeners The tent may be adapted to several configurations, from 100% open space to 100% closed space depending on the needs of user and seasons. The central space is a portion of the internal landscape, which features a fireplace in the winter for heating. The fire also allows for cooking in kitchen areas. Sinks, showers and kitchens are supplied by water flow from external tanks and stored under the platform. There is a chemical toilet. Accumulators placed below the platforms conserve energy produced by photovoltaic cells of the tissue that is semi-opaque and allows for a view across the external landscape.

Marilena Lucivero, Michele Guarino, MM!studio, Rosaria Minervini, Corrado dell'Olio — The legend of Tent

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