Ristrutturazione appartamento Palazzo Mazzucchi - dare-architettura, Rudy Davi

May 20, 2015, 2:23 am

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L’intervento di ristrutturazione trova spazio all’interno di un’ala del palazzo storico realizzato da Biagio Rossetti a fine quattrocento, ad oggi vincolato dalla soprintendenza. Più precisamente l’intervento è localizzato all’ultimo piano confinante con il sottotetto del palazzo. Il progetto ha subito un totale riassetto in pianta. Strutturalmente si è intervenuto parzialmente sui solai e sulle murature perimetrali. Architettonicamente è stata rivista interamente l’unità abitativa. L’abitazione presenta un vano unico con zona cucina e soggiorno il quale è collegato dal disimpegno-cabina armadio al servizio igienico ed alla camera da letto. A soffitto sono state portate a vista le catene lignee decorate delle capriate facenti parte di un vecchio soffitto a cassettoni. La pavimentazione usata è di due tipologie: parquet industriale e cemento. Tutta l’illuminazione è stata fornita da Viabizzuno. Gli arredi della sala, camera letto e bagno sono stati disegnati su misura e realizzati in mdf. Per la climatizzazione invernale è stato installato un radiante a pavimento, mentre per la climatizzazione estiva un sistema a pompa di calore adottando split a scomparsa.

Bagno

Doccia

Cabina armadio

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Conrad Hotel - MAD architects

May 20, 2015, 2:37 am

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Doors opened to the Beijing Conrad Hotel at the end of 2013 Through its unique built form MAD proposes a new conceptual possibility. “Living architecture” seeks to embeds itself within the fabric of the rectilinear city much as a plant rises through the crack of a concrete sidewalk.

This platinum five-star hotel sits at a busy corner at the east 3rd ring road of CBD district; it is the most modernized district in Beijing. The exterior facade is a neural network that reacts to the interior grid structure. The softly undulating surface expresses the organic vitality of man-made structure. It moves sinuously as it reaches towards the sky.

MAD’s design represents the subtle invasion of nature into our built landscape, softening the rigidity of efficient and anonymous structures. To the south of the hotel lies a rare piece of serene nature, the Tuanjiehu Park. The Conrad Hotel serves as a transition between this natural paradise and an otherwise urban and built-up terrain. The mutation of the form breaks the monotony of the city, adding fresh energy and raising the expectation of what one can hope for urbanity.

With its changing curves, the window openings shape the rooms into bright and soft caves. Being in the space, people not only experience the protection that architecture naturally provides, but it is as if they are in a silvery future world. From here, you overlook the city from the eyes of future, surveying at the past that set in the various styles of architectures.

Beijing, China Type: Platinum Five-star hotel Status: Completed Site Area: 7,779 sqm Building Area: 56,994 sqm Building Height: 106 m

Director in Charge: Ma Yansong, Dang Qun Design Team: Liu Yixin, Flora Lee, Yuteki Dozono, Paul, Tse Yi Pong, Gabrielle Marcoux, Uli, Queisser, Tang Liu, Art Terry, Rasmus Palmqvist, Diego Perez, Alan Kwan, Helen Li, Albert Schrurs, Simon Lee, Dustin Harris, Bryan Oknyansky, Andy Chang, Matthias Helmreich, Huang Wei, Howard Kim

Hotel Architect: Metamax Structural Engineer: Beijing Institute of Architectural Design (BIAD) Mechanical Engineer: Beijing Institute of Architectural Design (BIAD) Façade/Cladding consultant: King General Engineering, SuP Ingenieure GmbH Interior Designer: Lim. Teo + Wikes Design Works Pte Ltd. Landscape Designer: Earthasia Design Group

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PROGETTO PER UN CENTRO CIVICO - Angelo Salamone

May 20, 2015, 2:39 am

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La proposta del progetto nasce dalla volontà di realizzare un nuovo edificio olistico che, oltre ad assolvere alla funzione di centro civico, riesca ad essere un “ANELLO DI CONGIUNZIONE” tra gli edifici preesistenti ed il verde del parco.

Il nuovo centro civico dovrà cosi: essere un luogo di congiunzione tra il quartiere ed il parco aumentare l’attrattiva e la fruibilità del parco stesso integrarsi con il parco stesso e con l’ambiente circostante

Le linee guida del progetto nascono concretamente quindi dalla necessità di: collegare e mettere in nuova relazione esternamente le due aree realizzare un edificio ecosostenibile sia nella forma che nei materiali Illuminare naturalmente quanto più possibile gli interni dell’edificio per diminuire il costo per l’illuminazione artificiale evitare l’irraggiamento diretto sulle vetrate per evitare il surriscaldamento, nei periodi estivi, dei locali e l’effetto abbagliamento nelle zone interne avere tutti gli ambienti totalmente accessibili senza barriere architettoniche utilizzare un sistema modulare di costruzione per abbattere i costi in fase di realizzazione avere un sistema distributivo razionale dei percorsi e collegamenti interni per evitare sprechi inutili di spazi. relazionare le aree principali interne con le aree corrispondenti all’aperto per cui il bar caffetteria, per esempio si affaccerà direttamente sulla via principale del quartiere di accesso al parco dare alla copertura un valore aggiunto alla sua propria mera funzione

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Van Gogh Exhibition - Kengo Kuma & Associates

May 20, 2015, 2:44 am

≫ Next: Espacio Arquitectonico como refugio del espirito - Piero Speranza, Corinne Piera Speranza, sas&a - studio di architettura speranza associati

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Into Palazzo Reale, I wanted to bring in some way or other the undulating earth that Van Gogh much loved. We sought hard about how we could convey to people that tenderness and warmth, and finally arrived at a piece of cloth – that material of earth-colored, a bit rough feel, with a smell of soil when you press your cheek against it. On that waving land of fabric, Gogh’s paintings will drift about. His works will be thrown out in the midst of the overwhelming power from the ground. Humans themselves are the beings who have to leave everything to the earth and simply float on – I took Van Gogh’s message this way.

Kengo Kuma

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Espacio Arquitectonico como refugio del espirito - Piero Speranza, Corinne Piera Speranza, sas&a - studio di architettura speranza associati

May 20, 2015, 8:38 am

≫ Next: National Centre for Contemporary Arts (NCCA). Moscow - Paolo Capponcelli, Panstudio Architetti Associati

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“Lo spazio architettonico come rifugio dello spirito”.Visioni di mondi , sensazioni costruite nell’isola della mente; l’idea architettonica visionari progetti da realizzare appagati dal solo sognare.

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National Centre for Contemporary Arts (NCCA). Moscow - Paolo Capponcelli, Panstudio Architetti Associati

May 20, 2015, 9:02 am

≫ Next: Nuovo Teatro Comunale di Vibo Città - Giuseppe Campisi, Filomena Francesca PASTORE - Mario ADORNATO - Serafino MARCHESE - Rosanna CROCITTI - Gabriella SGRO’ - Alberto RAPPOCCIOLO - Bruno ARENA - Maurizio PINO - Geologo Gabriele PRESTIA

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At Khodynskoye Pole, where there were aeroplanes, there is a shipyard. A kind of icebreaker under construction: it is called New NCCA. It is 340 metres long, it is durable, very large at the base, and slender in the dashboard. From the 170-metre chimney top, you see all Moscow. From a distance it may look like the peak of a glacier, an iceberg or a mineral crystal. Some see a spiral. It has no colour yet but by day the plates reflect the light of the city, at night headlights illuminate it and its shape traces out the skyline. We don’t know how long the ship will be on the quay. We hope it’s not the time of a dream.

From the outside you can make out four parts: the hull base (1) containing zones A, B, C (Main Public Spaces, Exhibition Space, Collection Centre); the blade (2), narrower and more elongated, containing zone D (service area); containing the tip (3), zone E (Creative Residences); zone (4), above, is a scenic spot (Art Top) for recreation and catering.

The building has ten 15-metre-high floors for every accommodation and technical need. Each floor can be divided into intermediate levels. Some areas, e.g. the ground floor Performance Hall, can have greater heights for large installations, also visible from galleries at different heights.

The reception and public spaces are at the centre of the ground floor. To the east there is the Art Winter Garden (a hothouse on which the upper exhibition floors converge), the Performance Hall and the relaxation areas. The exhibition occupies the top three floors. The tip to the west will be a Collection Repository with traffic access. The offices and management are on the fourth and fifth floor to the east.

There is a large well in the square of the reception area. This void (Art Tube) can be as high as 100 metres. It is lit from the wall (3), which overlooks the park. The towers for stairs, lifts, services and technologies are arranged along the longitudinal spine. They are part of the supporting structure of the building. Pillars support the floors and the roof covering, which goes down to the floor, resting on a big pediment at least 5 metres high. This contains the accesses distributed along the entire perimeter. To the north, the outer wall can be connected directly to the new Aviapark Center with suspension bridges. The roof is a thick blanket enveloping everything. It consists of three parts: a reticular structure at the centre that can be inspected, an external draining, insulating, lighting and energy-bringing mantle, and an inner skin. Large areas are dedicated to technologies. For the park opposite the New NCCA, which is another object of the competition, it is recommended that the runways be maintained as paths and squares for installations and the creation of two parks: a tree-lined garden around the metro and a water park with summer lakes and fountains that in winter turn into ice skating rinks.

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Nuovo Teatro Comunale di Vibo Città - Giuseppe Campisi, Filomena Francesca PASTORE - Mario ADORNATO - Serafino MARCHESE - Rosanna CROCITTI - Gabriella SGRO’ - Alberto RAPPOCCIOLO - Bruno ARENA - Maurizio PINO - Geologo Gabriele PRESTIA

May 20, 2015, 9:06 am

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≪ Previous: National Centre for Contemporary Arts (NCCA). Moscow - Paolo Capponcelli, Panstudio Architetti Associati

Comune di Vibo Valentia – località“Moderata Durant. Al crocevia di due fra le principali arterie del PEEP, di cui la via Saragat è di recente realizzazione, il nuovo Teatro Comunale sorge all’interno di un contesto urbano di nuova costituzione. La realizzazione di una struttura pubblica appare per l’intero contesto come occasione di riconoscibilità architettonica e di sperimentazione architettonica di un involucro edilizio contemporaneo, nuovo simbolo per la città.La posizione logistica si presenta ottimale essendo il lotto in una posizione baricentrica rispetto all’hinterlan vibonese e direttamente accessibile dalla SS 18, per cui di facile accesso dal tutte le parti della città stessa.Unitamente ad altre attrezzature pubbliche o di interesse pubblico (Parco Urbano, Tribunale Nuovo) il Teatro rappresenta un’occasione ulteriore di riqualificazione urbana di un brano di città.

Il progetto si pone con la volontà di voler creare un organismo architettonico capace di radicarsi in maniera netta e perentoria nel contesto architettonico e urbano in cui si inserisce, ponendosi come momento di riqualificazione dello spazio pubblico: una architettura capace di collegarsi con l’intorno attraverso la rivisitazione della logica di aggregazione degli ambienti interni ed il loro rapporto funzionale con gli spazi esterni.

Il progetto è infatti un approfondimento del progetto preliminare di cui ne mantiene comunque sia la tipologia delle strutture portanti sia la tipologia dell’opera architettonica, nonché la capienza complessiva. Non stravolge infatti i connotati e le scelte compositive di base del progetto preliminare che vengono adattate ed arricchite nel naturale processo di progettazione per livelli successivi, prevedendo solo varianti tecniche migliorative in relazione a: - soluzioni architettoniche interne ed esterne; - distribuzione e destinazione funzionale degli spazi interni ed esterni (in parte); - progettazione definitiva degli impianti. Il progetto definitivo proposto porta alla creazione di un organismo edilizio di forte carattere architettonico che enfatizza la vocazione “pubblica” del nuovo edificio, tenendo conto a pieno delle esigenze della committenza e nel rispetto delle normative vigenti. La tipologia strutturale in cemento armato, e le scelte compositive di base dell’opera architettonica, hanno dato origine ad un involucro esterno stereometrico, puro (che a seguire denomineremo contenitore) che contiene all’interno la “scatola” della sala concerti – la platea.

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IN COFFEE WE TRUST - BoysPlayNice, BoysPlayNice

May 20, 2015, 9:12 am

≫ Next: CCF - ACA Amore Campione Architettura

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Current and connection are the main themes of the interior design of Proti Proudu Bistro in Prague district Karlín. Inspiration by František Křižík, the Karlín-born electrical engineering inovator, merged with the idea of connecting through good coffee and delicious food.

interior

The main bar wall, made of white perforated plywood, creates a grid, which all the components on the wall connect to – from the sliding targets of wires to the paper roll with daily menu.

interior

Network of wires, stretching from the switches behind the counter to the lights above the tables, draws attention to the connection between staff and guests. Each of the lights is operated separately, location of the switches on the wall grid reflects the real position of the lights in the room. The lights turn on and off as guests come and go. Every time the door opens, it lights a new spark in the bistro.

interior

Plywood texture softly reflects stone floor pattern, as well as the oak board of the counter and individual tables. Steel elements preserve their unrefined black iron character. The only exception is the rusty counter with the motto that will never rust –IN COFFEE WE TRUST.

interior

Photography & Concept: Jakub Skokan, Martin Tůma – BoysPlayNice.com

interior

Realization: Mimosa architekti www.mimosa.cz, Modulora www.modulora.cz

interior

lights

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CCF - ACA Amore Campione Architettura

May 20, 2015, 10:54 am

≫ Next: Avenue Primary School - Davis Landscape Architecture

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La casa si trova sul lungomare di collegamento fra il centro del paese e la tonnara Florio. Il progetto di ristrutturazione, con pochi e semplici interventi, vuole sottolineare un’architettura esistente e tipica del fronte mare dell’isola di Favignana: case in linea con corpo scala laterale, bottega al piano terra e ampia terrazza in copertura. I colori di progetto tendono a far risaltare la purezza dei volumi e le ampie vetrate regalano scorci di paesaggio mozzafiato dall’interno dell’edificio. Le finiture interne, di poco pregio, vengono affiancate da arredi su misura in materiali poveri, come il legno, e gli intonaci appaiono grezzi e poco rifiniti per trasmettere una forte componente materica. Le superfici orizzontali, interne e esterne, sono trattate con resine cementizie monocromatiche di color sabbia, quasi a voler creare un unicum fra interno e panorama percepito.

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Avenue Primary School - Davis Landscape Architecture

May 20, 2015, 11:00 am

≫ Next: Ten House - Carlos Castillo

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The design process involved numerous consultation meeting with the school and a public exhibition. This helped to determine their exact requirements and further refine the brief. As the school catered for children of nursery, reception, key stage 1 and key stage 2 ages the external spaces have been zoned into three distinct play areas. These have been designed in a way to keep visual sight lines clear. The needs of parking and deliveries have been considered carefully to strike a balance between the need for on site parking and delivery turning. The needs of parents dropping off and collecting children have also been considered giving them pleasant environments in which to wait, meet and chat.

Davis Landscape Architecture 1 Avenue Primary School London - Landscape Complete Building Frontage Planting

Davis Landscape Architecture - Avenue Primary School London Landscape Rendered Masterplan

Davis Landscape Architecture 3 Avenue Primary School London - Landscape Complete Raised Platform

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Ten House - Carlos Castillo

May 20, 2015, 12:43 pm

≫ Next: INOUT house - Joan Puigcorbé

≪ Previous: Avenue Primary School - Davis Landscape Architecture

Ten House

@Rafael Gamo. Published on May 20, 2015.

Ten House is a family house project developed in a rectangular piece of land with a light slope of 5% towards its end.

@Rafael Gamo. Published on May 20, 2015.

The house was originally designed for a market with undefined customers. For this, we decided to detach it from the stigmas of usual requirements of the program, (where more construction contained is more profitable) thus, generating a reinterpretation of the function in which a higher quality is given to the resident, with views of the recreational and social areas, making the house richer in spaces, conclusions and atmosphere.

@Rafael Gamo. Published on May 20, 2015.

The solution was based on determining the architectonic program areas within a mínimum rectalgular area, rotating it ten degrees, without altering the program, in a way that the house would face the back part of the track of land where a swiming pool was designed in a trapezoidal shape, which is visually and partially compressed by the house volume and by the finished concrete wall from which a waterfall emerges.

@Rafael Gamo. Published on May 20, 2015.

On its ground level, the house functions like a free open system within the property, contained inside clear glases that can be moved bidirectionaly and where the dining and living rooms are located, plus a half bathroom and a kitchen which is protected by a finished concrete wall towards the house entrance. It also has a light staircase, made of steel plate which leads you to the upper level where three bedrooms are located contained within a more solid volume. All three bedrooms have balconies. These are supported by IPR beams and Irving grid steel , unbalancing its lightness with finished concrete walls containing flower pots with ornament elements with a view to the swiming pool. The windows of the main facade (front) of the house are covered with multiperforated panels of aluminium designed to protect the intimacy without taking off the interior light of the house.

@Rafael Gamo. Published on May 20, 2015.

The materiality of the house is dominated by the use of concretes. The columns, walking paths and swiming pool are elements that were cast in situ with finished white concrete. The wall that protects the kitchen on the front, as well as the wall on the rear containing services, and standing also as pinnacle for the living room and swiming pool is made of finished grey concrete with lines emphasizing the horizontality of the construction.

@Rafael Gamo. Published on May 20, 2015.

@Taller ADC Architecture Office. Published on May 20, 2015.

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INOUT house - Joan Puigcorbé

May 20, 2015, 6:54 pm

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INOUT house

photo by Jordi Miralles c Joan Puigcorbé. Published on May 21, 2015.

This house establishes an uninterrupted ¨inside-outside¨ relationship; a sequence of layers between the open and the intermediary. Frontal boundaries are blurred by sheets of glass and vegetation, framed by two horizontal planes, floor and ceiling, where the full and the void are related via a series of matter, water, vegetation and sky. Lateral boundaries establish the ¨full-void¨ relationship via a series of solid materials that close transversal views.