Marin County Civic Center - Frank Lloyd Wright

November 14, 2014, 4:06 am

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Marin County Civic Center
San Rafael, California
1960

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Pianopoli Housing - Martina Mancini, Filippo Fontana

November 14, 2014, 4:10 am

≫ Next: Nuova sede dell’Istituto per l’Edilizia Sociale della Provincia Autonoma di Bolzano - José Luís Daroca Bruño, Nadine Saul

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Avviso pubblico per la raccolta di “manifestazione d’interesse” in attuazione della legge regionale n.33 del 19 ottobre 2009

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Nuova sede dell’Istituto per l’Edilizia Sociale della Provincia Autonoma di Bolzano - José Luís Daroca Bruño, Nadine Saul

November 14, 2014, 4:11 am

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La proposta per la nuova sede dei IPES di Bolzano è determinata da due tipi di fattori: 1. La decisione di rimuovere l’attuale sede attraverso la costruzione di un nuovo edificio, con un nuovo linguaggio e dal architettonico chiaro e forte che possa dialogare adeguatamente con gli edifici esistenti e ricucendo la trama urbana conferendo unità in un punto in cui oggi si percepisce una chiara frammentarietà. 2. L’insieme delle rigide norme pianificatorie , costruttive , allineamenti, altezze e volumi, costringono ad adottare una tecnica sottile di giochi di volumi affinchè l’esito finale sia l’ottenimento di un volume estremamente rappresentativo. Pertanto, il volume finale del nuovo edificio è il risultato di un lavoro quasi scultoreo, affinchè l’immagine finale fosse un volume fortemente tettonica.

L’accesso principale è posizionato su via Milano, simile a quello attuale, seguendo il portico esistente del palazzo adiacente. L’angolo di accesso è evidenziato da un accentuato incavo in modo da segnare con forza l’incrocio tra Via Milano e Piazza Matteotti. In questo punto si accede alla sala d’attesa, e all’edicola. Un accesso secondario è stato previsto sul retro, per il personale. La pianta si organizza ponendo un volume parallelo su Via Milano, da qui partono perpendicolari altri due volumi che abbracciano un ampio, patio che porta, a sua volta, luce a tutti gli spazi lavorativi. Questi due bracci sono opportunamente collegati tra loro, ai vari livelli, attraverso “ponti “ di collegamenti. La luce naturale è un aspetto fondamentale per la progettazione di tutto l’edificio. Un giusto equilibrio tra le finestre perimetrali ed il patio interno garantisce un confort elevato per tutti gli spazi, sia lavorativi che per quelli destinati al pubblico ed all’attesa. Il nucleo dei collegamenti verticali, scale ed ascensori, e posizionato in maniera strategica e centrale rispetto alle maniche distributive, con il Giardino sempre come riferimento visivo. La posizione delle destinazioni d’uso è determinata dal tipo di ufficio, le aree comuni sono posizionate ai piani bassi, lasciando i piani superiori per la Presidenza e la Direzione Generale. Il volume dei primi piani saranno di circa 450mq, per piano, non superando l’altezza consentita di 17m. I due piani interrati saranno occupati dai depositi e dai parcheggi. Quest’ultimi utilizzeranno le rampe e quote esistenti. La proposta progettuale mira ad un elevato livello di sostenibilità ed ad un grande efficienza energetica. Le facciate sono state orientate, e modellate, in modo che luce non entrasse, nelle varie ore della giornata, direttamente, ma sempre riflessa. I materiali costruzione previsti, l’aerazione e la ventilazione, sono progettati in stretta relazione con il grande vuoto interno. I materiali della facciata saranno in elementi prefabbricati in calcestruzzo a forma di U , la profondità di 65cm oltre che proteggere gli uffici dalla luce solare, permette il passaggio delle istallazioni impiantistiche. La colorazione giallo-grigio del calcestruzzo, è ottenuta attraverso l’utilizzo, nell’impasto, di inerti in frammenti di calcare locale, prossimi alla dolomia. Negli ultimi 2 piani, l’ordine delle colonne diviene “gigante”, sia per evidenziare un cambiamento d’uso sia per relazionare il coronamento dell’edificio con il cielo, in maniera più leggera rispetto ad una maggio gravità che caratterizza l’edificio sul proprio attacco al terreno. Dai piani alti, dove, come detto, sono stati previsti la presidenza e gli spazi direttivi, si godrà di una vista spettacolare ed unica verso la Piazza sottostante, la Città ed il paesaggio circostante.

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Urbanhive - ARCHIUM

November 14, 2014, 4:12 am

≫ Next: Le Castella Housing - Filippo Fontana, Martina Mancini

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The essential component of architecture is structure. It is the absolute role of structure that overcoming gravity and creating space. As for a high-storied building with repeated typical floors, structure is the most important element. Structure is frame of space. Common sense says that the frame is first created and added with clothes later. Common sense is formal solution. But, it is often stereotyped. If clothes are first created and the frame is created later in a reversed way, the essence of architecture will be changed.

Photo by Park Youngchae. Published on November 14, 2014.

Rather than creating shape with distortions and controls, I wanted to make clear space with simplicity. Structure can be reveal with turning common sense that is the composition between interior and exterior over. Completing structure is completing of space. And space is the result of architecture.

Photo by Park Youngchae. Published on November 14, 2014.

Thick concrete wall that divides indoor and outdoor is just for bearing out weight, it is not closing space. So, it must be bored for connection between indoor and outdoor. Concrete that is bored is alike light sponge. The openings are for space. The openings are keys to architectural expression. However, how to look at the openings is more important than what the openings themselves looked like.

Photo by Park Youngchae. Published on November 14, 2014.

The openwork circular holes are not only suitable shape for structure but also maintain both solid and void conditions. The transparent glass screen that is into the structure is not windows but just maintains internal conditions.

Photo by Park Youngchae. Published on November 14, 2014.

Location : 200-7 Nonhyeon-dong, Gangnam-gu, Seoul
Site area : 1,000.90
Floor area : 584.78
Total floor area : 10,166.89
Building to land ration : 58.43
Structure : RC+TSC
Outside finishing : cool gray color exposed con’c, THK26 Low-E pair glass
Inside finishing : wall- cool gray color exposed con’c, cieling- thk4 STS punched panel, floor- con’c stain
Design period : 06.2004_{04.2007

Construction period : 02.2006}09.2008

Photo by Park Youngchae. Published on November 14, 2014.

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Le Castella Housing - Filippo Fontana, Martina Mancini

November 14, 2014, 4:23 am

≫ Next: Sistema di torri landmark - Marco Persichetti, Mariangela Ludovica Santarsiero

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Avviso pubblico per la raccolta di “manifestazione d’interesse” in attuazione della legge regionale n.33 del 19 ottobre 2009

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Sistema di torri landmark - Marco Persichetti, Mariangela Ludovica Santarsiero

November 14, 2014, 5:34 am

≫ Next: Earth House - BCHO architects

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La proposta progettuale parte dalla volontà di fornire un edificio dalla connotazione fortemente iconica che, come una pietra miliare, segni visivamente il percorso dall’entroterra fino al mare e che contemporaneamente diventi, grazie alla sua unicità, simbolo e veicolo dei valori del territorio.

Vista esterna

Le torri si calano in un contesto fortemente naturalistico. Quindi si è optato per una soluzione di vaga derivazione organica che, pur mantenendo un’immediata riconoscibilità di manufatto antropico, riesce a dialogare felicemente col tessuto circostante.

Schema

Da qui l’idea della “torre albero”, un edificio che non vuole essere imitativo della natura, ma bensì intende omaggiarla attraverso un lessico architettonico dalle linee volutamente rigorose. Un intervento che si distingue dall’intorno paesaggistico pur parlando la sua stessa lingua.

La torre per i primi tre piani è un blocco monolitico e stereometrico rappresentante il fusto dell’albero.

I successivi tre piani ospitano una rampa continua che serve svariate quote altimetriche e permette conseguenti diverse possibili visuali sul territorio attraverso feritoie nella pelle esterna in doghe e listelli di legno: in questa zona superiore la torre su apre proprio come la chioma di uno degli ulivi circostanti andando ad ospitare dei piccoli pianerottoli che, sbalzando dalla rampa, offrono scorci privilegiati sul panorama, fino ad arrivare al deck panoramico dove un solaio a balzo consente una visuale a 360°. Qui, la fittezza dei listelli può diminuire o aumetare per incorniciare scorci i paesaggio particolarmente suggestivi.

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Earth House - BCHO architects

November 14, 2014, 7:01 am

≫ Next: Hanil Visitors’ Center and Guest House - BCHO architects

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Earth House is a house of the sky. It is a house built in honor of Yoon Dong-joo, a Korean poet, who wrote beautiful poems about the sky, the Earth, and the stars. It is a house which focuses on the primal relationship between nature and humans. It is built with careful consideration of constructional efficiency and our somatic senses.

Photo by Wooseop Hwang. Published on November 14, 2014.

The 14.2m x 7.6m concrete box is buried in the ground and contains 6, 1-pyeong, rooms and two earth filled courtyards. The ‘small house’ is open to the courtyard which is open to the sky. The one pyeong rooms originated from the size of one kan (6×6 ja; 1 ja = approx. 30cm) which are just large enough for an adult to lie down straight. The house has a small kitchen, a study, two resting rooms, a bathroom with a wooden tub and toilet, and a wash room. The rooms are all adjacent to each other and open directly to the earth filled courtyard. Connecting rooms can be joined to create a bigger room. The house doors are small, entering the house requires making your body into a smaller shape.

Photo by Wooseop Hwang. Published on November 14, 2014.

The lateral pressure from the earth on four sides is resisted by thick concrete retaining wall and a flat roof and base plate. There is also a hidden steel column in the center wall that reinforced the structural plates. Rammed Earth walls provide all the interior spatial divisions and the walls facing both courtyards. The earth used for the walls is from the site excavation. Even though the viscosity of the existing earth was low, only minimal white cement and lime was used so the earth walls can return to the soil later. Four gutters are placed in the corners of the courtyard for drainage. The house uses a geothermal cooling system with a radiant floor heating system under the rammed clay and concrete floor. Off-peak electricity is used at night to heat the small gravel under the floor. A combination of passive cooling and geothermal tubes which are buried in the earth around the buildings keep the temperature cool in summer and warm in winter. A pine tree which was cut down from the site, was sliced into 80mm thick discs and was cast into the concrete walls of the courtyard so as it decays, it will host small plants and new life will arise with time. The wooden canopy protecting the entrance into the small house uses 39mm tensile wires. Recycled lumber was cut into 30mm x 50mm wide pieces and joined with flat steel bar, keeping the material to a minimum. All of the interior furniture and closets are also recycled wood from old Korean gates.

Photo by Wooseop Hwang. Published on November 14, 2014.

As Yoon’s poetry expresses hope for the future from times of great peril, which he tried to achieve through self-restraint and self-reflection, our hope is that this Earth House would be a house where we can reflect on ‘ourselves’ while living in the present era.

Photo by Wooseop Hwang. Published on November 14, 2014.

Location: 789-55, Sugok2-ri, Jipyeong-myeon, Yangpyeong-gun,
Gyeonggi-do,korea
Use: Library /Meditation Room
Gross floor area: 32.49 sqm
Structure: Reinforced Concrete flat slab

Photo by Wooseop Hwang. Published on November 14, 2014.

Photo by Yongkwan Kim. Published on November 14, 2014.

Photo by Wooseop Hwang. Published on November 14, 2014.

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Hanil Visitors’ Center and Guest House - BCHO architects

November 14, 2014, 7:18 am

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The Purpose of this project is to educate visitors about the potential for recycling concrete. In Korea concrete is one of the primary building materials so it is imperative that we begin to re-use, the otherwise wasted, concrete as buildings come down and are replaced. The Information Center is an example of how to re use this material in different types of construction, casting formwork types as well as re-casting techniques. Concrete has been broken and recast in various materials creating both translucent and opaque tiles. The displays will continue to evolve and change at the Information Center as new techniques are developed. The gabion wall and fabric formed concrete which constitute the main façades of the building, was erected first, and the concrete left over from it was recycled in the gabion cages, on the rooftop for insulation from sun, and as a landscape material at the street and around the factory.

Photo by Wooseop Hwang. Published on November 14, 2014.

The site is located to the westernmost part of the factory, adjacent to Mt. Sobaek National Park. The existing land had been changed much to facilitate the movement of trucks to the cement factory. First of all, we tried to restore the damaged original mountains and forest. In order to revive the landscape, we brought in earth to fill the courtyard between the two buildings. The flow of the mountains from the west leads to the reception and cafeteria in the inner courtyard of the building. In the in-between spaces we allowed people to experience the mass of the building while watching the building shift around its central courtyard.

Photo by Wooseop Hwang. Published on November 14, 2014.

While following the linear placement and movement of land and earth, we came up with ideas for the new building façade. We applied canvas-like concrete walls to the east façade, evoking images of the adjacent forest. There are four openings in the eastern wall and long vertical windows have been created in their in-between spaces. Through the windows, one can see how concrete is produced at the factory. Behind the two larger openings, one can see the courtyard of the Visitors’ Center and the cafeteria next to the courtyard, which is encircled by a water garden.

Photo by Wooseop Hwang. Published on November 14, 2014.

Recycled Concrete wall
By recycling waste concrete generated in erecting the eastern wall, a new concrete wall was erected on the opposite side. The footing used in erecting the fabric formed concrete wall was cut into pieces of 10-20cm and put into the gabion wire netting to be recycled as exterior finishing material for the southern façade. Recycling of waste concrete not only has eco-friendly and cost benefits, but also offers an antique feel, as dust and moss gather on the concrete with the passage of time.

Photo by Wooseop Hwang. Published on November 14, 2014.

Fabric concrete wall
In order to keep the physical properties of concrete intact and simultaneously express gentle curves, the fabric-formed concrete wall was developed in collaboration with C.A.S.T., based in Manitoba, Canada, after much research and consultations. Concrete moulds were created on the footing; curved forms were set using pipes; and high-strength fabric was placed on top like a mould. After embedding connecting fittings, concrete is poured, and pre-cast concrete is lifted so that it could be installed at the external wall in the east. While producing a non-bearing concrete wall with convex and concave curvatures, we conducted a variety of experiments, departing from stereotyped notions.

Location: 77,Pyeong-ri, Maepo-eup, Danyang-gun, Chungbuk, Korea
Use: Visitors’ Center and Guest House
Net Floor area: 1031.2m2
Structure: Reinforced Concrete

Photo by Wooseop Hwang. Published on November 14, 2014.

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Køge North Station - COBE, Dissing & Weitling, COWI

November 14, 2014, 7:30 am

≫ Next: Heyri Theatre and Hotel - BCHO architects

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The team has created a characteristic landmark for green mobility in the capital region of Copen- hagen. The main element of the design is a bridge combining Denmark’s most trafficked freeway with the existing local Copenhagen train line and the planned double-tracked rail line for high- speed trains. The bridge will be a new gateway to Copenhagen for the 90.000 people passing through the area daily, and a significant step on the commute for the expected 8.000 daily users of Køge North Station.

The interior of the pedestrian bridge consists of warm and inviting materials. Padded with wooden lamellae, the inside of the pedestrian bridge becomes a warm and welcoming area, giving commuters a tactile experience in an otherwise streamlined weekday. From the outside the pedestrian bridge is covered with perforated electroplated sinus steel plates, adding depth to the expression of the façade while also matching the materials from the surrounding infrastructural system.

Missing image

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Heyri Theatre and Hotel - BCHO architects

November 14, 2014, 7:31 am

≫ Next: Piazza della Libertà - Porretta Terme - Guido Lenzi, Fausto Savoretti, Carlo De Angelis, Studio Lenzi E Associati

≪ Previous: Køge North Station - COBE, Dissing & Weitling, COWI

Heyri Theatre is a large open space, not delicately designed but meticulously calculated, engineered and measured, resulting in a typology more reminiscent of an agricultural building than theatre in the conventional sense. Heyri Theatre is a large open space, not delicately designed but meticulously calculated, engineered and measured, resulting in a typology more reminiscent of an agricultural building than theatre in the conventional sense.

Photo by Wooseop Hwang. Published on November 14, 2014.

Situated in the rapidly growing Heyri Art Valley in Paju, Gyeonggi Province, ‘Heyri Theatre’, responds to the growing need for overnight accommodation while offering a cultural complex to facilitate the performing arts. It is to this extent Heyri Theatre is a multi functional building operating as both unique performance space and boutique hotel, while following the stipulated ethos of the masterplan by engaging with the landscape in multiple ways.

Photo by Wooseop Hwang. Published on November 14, 2014.

Programmatically, the theatre hosts diverse performances from young experimental acts through to seasoned musicians and performing arts. The design of the hall reflects this becoming a flexible, open space measuring 11mx 20m x 7m and able to accommodate large or small performances. Seven projected boxes frame the main space, stepping down to offer unobstructed views while a suspended catwalk provides an area for the general public to watch performances. Serving the theatre, a linear café opens to the surrounding pine trees while an untouched courtyard connects the two buildings, allowing an interaction with nature.

Photo by Wooseop Hwang. Published on November 14, 2014.

Juxtaposing the exposed concrete facade of the theatre, the hotel is defined by four geometric ‘ribbons’, wrapping the building to create a multitude of transitional spaces, allowing the guests privacy and a unique experience of the surrounding natural environment. On the upper level this overlap of the façade creates courtyards for moon viewing and relaxation in complete privacy – this experience further enhanced by built in hot tubs. The deck is intended to be extensively used becoming an area that allows the control of light and air entering the building. The glistening façade is composed of a series of ceramic panels, supported by a lightweight steel frame, rendering a scale to the community. Thus, these simple gestures turn an otherwise monumental architectural typology into one of humanistic sensibilities, finding ways to still grant the user an isolated experience of nature in a rapidly urbanising setting.

Photo by Wooseop Hwang. Published on November 14, 2014.

Location: Heyri Art Valley, Beopheung-ri, Tanhyeon-myeon, Paju-si, Gyeonggi-do, Korea
Use: Performance hall
Gross floor area: 2067.6 sqm
Structure: Reinforced Concrete
Complete date:2010

Photo by Wooseop Hwang. Published on November 14, 2014.

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Piazza della Libertà - Porretta Terme - Guido Lenzi, Fausto Savoretti, Carlo De Angelis, Studio Lenzi E Associati

November 14, 2014, 8:15 am

≫ Next: Seven Stars Duomo 21 - Agostino Danilo Reale

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progetto di pedonalizzazione parziale di Piazza della Libertà a Porretta Terme.

nuova pavimentazione accostata all'esistente. Integrazione e restauro

progetto di fontana non realizzato

progetto di fontana all'ingresso della piazza

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Seven Stars Duomo 21 - Agostino Danilo Reale

November 14, 2014, 8:38 am

≫ Next: Lingoto Center - artan raça arkitekt

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I progetti prevedono la sistemazione delle stanze del seven stars con affaccio sulla p.zza del duomo di milano.

Render suite 14

Pianta e sezioni suite 12

Pianta suite n. 8

Sezioni progetto suite n. 8

Suite 7

Pianta e sezioni suite 14

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Lingoto Center - artan raça arkitekt

November 14, 2014, 9:20 am

≫ Next: Il Portello - Matteo Franceschin

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“Lingoto Center” was designed and intended to be an offices building. Nowadays a private university is ‘sheltered’ in its premises. Placed on a narrow and long parcel this object wants to express with its movement ‘matter, “physicality” and “sensuality”. In turn this movement is as an adaptation to the context and the objects “hitting” it on both sides. Its floors plan is conceived as an open space, to unify and extend the work surface, placing work stations at the edge and in ‘touch’ with the nature.

The aluminum foil brise-soleil enable the shading of the glass facade but also the materialization of sunlight during the day, from sunrise to sunset. Transparency and permeability of these brise-soleil, make this object light, but at the same time emphasizing more and more his corporeality.

Lingoto Center është një objekt i projektuar dhe i destinuar për zyra. Sot në mjediset e tij është strehuar një universitet privat. I vendosur në një parcelë të ngushtë dhe të gjatë ky trup kërkon të shprehë me lëvizjen e tij masë, fizicitet dhe sensualitet. Nga ana tjetër kjo lëvizje është si një përshtatje me kontekstin dhe objektet që e “godasin” në të dy anët. Planimetria e kateve të tij është konceptuar si një hapësirë e hapur, për të unifikuar dhe rritur sipërfaqen e punës, duke i vendosur tavolinat e punës në periferi dhe në kontakt me natyrën. Thyerset e diellit me fletë alumini bëjnë të mundur hijëzimin e fasadës së xhamit por njëkohësisht edhe materializimin e rrezeve të diellit gjatë ditës, që nga lindja e deri në perëndim. Transparenca dhe përshkueshmëria e këtyre thyerseve te diellit(brise soleil), e bëjnë këtë objekt të lehtë, por duke theksuar njëkohësisht gjithnjë e më tepër lëvizjen e trupit të tij.

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Il Portello - Matteo Franceschin

November 14, 2014, 9:55 am

≫ Next: WELLNESS SPA E PISCINE - Architetto Giuseppe Lodato, alessandro giuri

≪ Previous: Lingoto Center - artan raça arkitekt

Chiamato nel 2000 da Gino Valle a Milano come responsabile dello sviluppo dei progetti per l’area del Portello, lavoro alla progettazione preliminare, definitiva ed esecutiva, nonché alla direzione artistica del ‘Piano Portello’ e dell’aggregato commerciale, oggi sede dell’Iper, alla progettazione preliminare e definitiva degli edifici ivi realizzati , oggi sedi del ‘palazzo LG’, della Vittoria Assicurazioni S.p.A, e della ‘Casa Milan’ sede dell’Associazione Calcio Milan s.p.a.

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WELLNESS SPA E PISCINE - Architetto Giuseppe Lodato, alessandro giuri

November 14, 2014, 2:48 pm

≫ Next: Villa Toro - STUDIO G+ ARCHITETTI

≪ Previous: Il Portello - Matteo Franceschin

WELLNESS CENTER

PISCINE INTERNE

WELLNESS SPA

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Villa Toro - STUDIO G+ ARCHITETTI

November 17, 2014, 7:15 am

≫ Next: Sai Project - MOON HOON, Kim Sung

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Si tratta della ristrutturazione di una villa sita all’interno del Complesso la Medusa, appartenuto alla famiglia Mondadori

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Sai Project - MOON HOON, Kim Sung

November 17, 2014, 7:16 am

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It was a unique case; in the construction of a new building next to the client had made many illicit choices, causing the district government to intervene and to suggest a radically altered space. In between the existing building site and the newly built building, I built a structure that could be used as a green house. The metal structure of the building had already reached completion, and the husband and wife that had commissioned the project dreamed of a resting space full of greens. The major regulation was to ensure the walls to transmit at least 50% of the light, and based on the demand, I sought to find the right material that was interesting but stable. It was a coincidence that I found Fiberglass Reinforced Plastic grating, which met my needs. I opted to suspend each part by connecting it via a cable to the structure above, and formed a haphazard grid of various sizes that did not match the steel frames of the building. As for the wall, I attached a lot of fixtures from where plants can hang, for an overall feeling of dynamism. Like monkeys in the jungle, I imagine the space to be a place of comfort and fun, for those people who may seek rest in the building.

Photo by Namgoong Sun. Published on November 17, 2014.

Programme: urban playground
Location: 70-5, Nonhyeon 1-dong, Gangnam-gu, Seoul, Korea
Site area: 89.67m²
Building area: 89.67m²
Gross floor area: 330.57 m²
Height: 19.2m
Structure: steel
Exterior finish: FRP Grating
Interior finish: FRP Grating
Design period: Feb. 2013-Mar. 2013
Construction period: Apr.-Jul 2013