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Troy Museum Architectural Project Competition - YEGENA

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The vertically layered structure of Troy brings in its historical depth. The museum which is considered as the last one of the layers which lay one over another in Troy takes place as platform between the artifacts from Troy’s past and today in an historical intersection. The platform provides the visitors the chance to monitor the events that were staged in the past and at the same time it happens to be the stage itself in our time.In terms of the relationship the construction shall establish with the ruin and with the environment; monumentality, simplicity, invisibility, respectfulness are the main principles. The events between the ruins and the Beşik Bay cause the “staging” platform to be directed. A better presentation of the area’s scientific and mythological value shall only be possible when it is represented better. The museum is a “stage platform” which has been formed to sense and realize these values and by which Troy itself is understood.The plane is directed towards the Karamenderes lowland and attracts the viewers attention on itself by getting positioned against the coming direction of Achaeans. On the high parapet windows on its terrace, Troy’s story is told. Regional trips and ruin trips start on this platform and preliminary information is provided on this platform. The entrance to the museum directs the visitors to the underground. The tears on its curtains symbolizes the disappearance and emergence of civilizations in Troy and the curtain allows them to walk around within the venues; and then, it directs them, along the water and through the olive groves, towards the coming direction of Achaeans, the Beşik Bay, but this time for a different reason…

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition

YEGENA — Troy Museum Architectural Project Competition


The Hunebed - Luca Picardi, Luca Valerio Lonardo, Oriana Orabona

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Assen as a paradigm In the economic crisis era, Assen’s population is growing way faster than anywhere in the Netherlands. The city became a fundamental nodal point for rail and fluvial circulation. Tourism and recreation strategy have a positive impact on its development. Assen, with its historic center and the wonderful Drenthe National Park welcomes more than nine million of tourists each year and hosts The TT Circuit Assen, one of the greatest motor races in the world. But Assen is also an appealing city for business: foreign companies such as The Chinese Xian Consummate with “Baby Milk” are investing in new market opportunities and new factories in Assen. In the last few years, services and facilities have been deployed to attract entrepreneurs and support new business opportunities.

Luca Picardi, Luca Valerio Lonardo, Oriana Orabona — The Hunebed

Assen has always been a business-friendly city and it is willing to be even more in the future. In the forthcoming years, the city will invest even more its resources in developing accessibility infrastructures, facilities and services (bars, restaurants, and shops).

Luca Picardi, Luca Valerio Lonardo, Oriana Orabona — The Hunebed

The city has launched an ambitious and innovative program, based on the implementation of sensor technology to rethink the infrastructure system of Assen and offer outstanding services to its citizens. This way it has become one of the first “Smart Cities” in Europe. One the data is collected, it is gathered in a single stream to provide strategic insights, resolve proactively and monitor traffic regulation, safety surveillance, pollution control, lighting management etc. and coordinate resources to operate more effectively.

Luca Picardi, Luca Valerio Lonardo, Oriana Orabona — The Hunebed

It will drive sustainable economic growth and prosperity for Assen’s citizens. All this makes Assen a true paradigm inside the problematic and sometimes dramatic frame of capitalistic collapse of the European Union.

Architecture as a symbol In the last decades in The Netherlands, the common urban strategy, especially in former industrial site such as Havenkwartier, has been a typically neo-liberalism top down approach to urban design with promoters, money, promises of a controlled twinkling life: progressive process of demolition vs. new construction. The top down approach, as was the old plan of development of Havenkwartier erasing all the traces of the industrial past is according to us not to be thought anymore for Assen future. But an extreme bottom up strategy also showed truly dramatic results and difficulty of controlling the process.

That‘s why, we should seriously rethink what kind of strategy we wish for a such unique and so contradictory moment of our time.

We truly believe that Architecture must reflect the new approach we wish for a such unique and so contradictory moment of our time.

Evidences of an industrial past and participation should become the starting points for a new urbanity for Havenkwartier. We propose five phases for a new approach to Havenkwartier ‘s urban policies.

Una nuova identità per Alba Adriatica. - Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini

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Relazioni, percezioni, identità. Tre estremità che convergono in un punto focale rappresentato dal progetto di uno spazio pubblico che evolve in un organismo vivo. Un sistema che tenta di abbandonare l’attuale declassamento a semplice vuoto urbano, modificando la propria sostanza in qualcosa di funzionale all’apparato della città, alle sue dinamiche veloci ed alle sue congenite aspirazioni di mutamento. Ecco che tali presupposti accelerano un processo di meditazione sintetizzando, attraverso l’uso di forme semplici, concetti di natura sociale, delineando nella piazza non solo un centro di aggregazione, ma anche un luogo simbolico di rappresentazione. L’intersezione di elementi, che descrivono la città attraverso eidotipi mentali decodificando gli aspetti complessi del vivere urbano in segnali, linee ed impulsi sottili, liberi da sovrastrutture che condizionano l’essenziale: tre cerchi sono il cardine che unisce la città del presente a quella del futuro. Tre sono i perni attorno al quale Alba Adriatica si identifica: i cittadini, il mare e la spiaggia. In questo spaccato di sensazioni, Sea Circle intende modellare il piano della piazza innestando dei volumi ipogei che riportano in superficie dei corrispettivi vuoti architettonici capaci di descriverne i luoghi. Come i più noti Crop Circle, i Sea Circle evidenziano la volontà di ritrovare nella “Piazza del Popolo” un punto di aggregazione, rappresentando, ognuno dei cerchi, un nuovo patto di fiducia tra la natura ed i suoi abitanti. L’utilizzo di un disegno della pavimentazione e del verde pubblico attraverso un insieme di incastri che simulano il ritorno d’onda, mirano a decifrare il sistema di connessioni natura-cittadino,abbozzando un’unione complanare tra l’universo urbano e quello marino.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Archea Studio Associato, Gabriele Calzolari, Alessandro Russo, Gessica Sghedoni, Riccardo Nicolini — Una nuova identità per Alba Adriatica.

Europan 12 | Wittenberge - OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti

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URBAN PLANNIG STRATEGIES

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

Wittemberge, halfway between Hamburg and Berlin is a city with a strong naturalistic tourism, due to the presence of the Elbe, its valleys and meadows. The Elbe biosphere, recognized by unesco, is among the most beautiful river landscapes of Europe and extends to the historic town of Wittenberg. The project site is overlooking the river with a longitudinal development, and is characterized by the presence of a complex of industrial buildings previously used as warehouses and grain silos and other historic buildings already converted with public functions. The site is an interface between the towbbbbbn and its natural surroundings. The project in this area offers the opportunity to open a site previously closed to residents and visitors and to relate it to the city through a series of paths that connect to the historic center and the shopping center (west side), and to the station and the station museum through Packhofstrabe (north side). The project’s primary goal is to reconnect the project area to the city center through the project of paths and open spaces in which there are existing buildings and new ones. The open space is the true protagonist: it draws a large park for the city connected by pedestrian and cycle paths that pass through it and running along the river. Inside the park, we are working on the recovery of existing buildings and new construction starting fromof the respect for the place, from the dialogue with the existing, for enhancement of the urban landscape and the riverside, limiting the consumption of soil.

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

RE-HUB Health-wellness and food The city ‘s development is oriented toward the needs of all ages, with particular enphasis on familys , young people and people living in the city. Variety of cultural and educational activities, lively retail, catering and service sectors, and well –manteined public spaces will make the city more actractive to both residents and visitors. Private investments has resulted in numerous other facilities in the buildings, including a riverside cafè, a restaurant . A hotel with 58 beds, conference rooms and a climbing and diving tower. Starting from the functions in the area and thinking about the vocation of tourism and culture, it was thought that this would become an area dedicated to health, wellness and food, sports, housing forn new way of living in the park. Starting from the functions in the area and thinking about the vocation of tourism and culture, it was thought that this would become an area dedicated to health, wellness and food, sports, residence and also inserting new ways of living in the park. Outdoors to and contact with nature, experiencing different landscapes and practicing wellness activities, in the renovating and new buildings is a way to live well and in relation to the city where you live.

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

THE RIVEPROMENADE AND THE PARK

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

The open space, the protagonist of the project, is constructed through the combination of three different landscapes that offer different ways to live in contact with nature and at the same time be in direct relationship with the city: an alternation between built-up areas, green glades and a part like an urban forest. This suggestion comes from the character of the surrounding landscape that alternates between patches of dense vegetation to extensive lawns. 1_The first “metaphorical” level consists of the landscape that can be seen from the river: it is attended by adding a few new buildings that are going to strengthen the system of cross-river views and attracting the type of existing ones. 2_The second level is the riverside promenade which becomes a pedestrian and bicycle path that runs along the entire riverfront site, alternating enlargements setbacks or relaxing areas that are home to small docks and relaxation. The riverside promenade is related in a direct manner to the existing store house buildings to be restored and the designed new ones. 3_The third level is made up of a broad green glade, which because of its nature offers the ability to host different temporary activities or remain free. This is crossed by paths that connect the urban forest to the entrances of the storehouses and the riverside. At the east end of the Park towards the city center there is a pavilion bar that marks an entrance to the Park. 3 other little buildings used for storage, mark the longitudinal path that runs through the area. 4_The fourth level is characterized by the features of a dense forest of trees on a plot of clay, which acts as a filter and permeable boundary between Bad-Wilsnacker-Strasse, the city and the park. Within the forest there are small pavilions that can accommodate different functions (bar, newsagent, bike storage), playground for children, chairs, bowls, wifi. The forest is interrupted by the square of access to the park, at the intersection of Bad-Wilsnacker Strabe and Packhofstrabe. Here is also a small info- point to inform people about the activities taking place in the buildings of the park. By making the riverbank more accessible and increasing its function as a gateway to the transnational Biosphere Reserve, by the project of the different open spaces and the buildings inside the area, the project helps the city to further develop its identity on the continuum between cityscape and rural nature.

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

TIME LINE Trying to identify the priority areas for development, thinking that the proposal can be realized incrementally: 1_the riverside promenade, most important link between the park area and the old town 2_the level of the garden park that can accommodate spaces for temporary activities such as team games, concerts, small pavilions for exhibitions, facilities for outdoor activities 3_ the park characterized by a forest of trees and the activities that take place there 4_renovation of grain silos and extensions 5_new buildings that integrate existing ones

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

THE STOREHOUSES COMPLEX AND NEW BUILDING The derelict grain silos are standing directly on the river banks. These are Landmarks characterizing the long river, together with other buildings and infrastructure along the Elba. The project was inspired by the theme of the existing landmarks, recovering the storehouses and adding 4 new buildings along the river which are used to define the masterplan, together with the adjacent historic buildings. The storehouses’ reutilization project fits in with the planned development context of culture, leisure time, tourism, residential units and appropriate commercial undertakings. This is processed in compliance with the architectural language of the existing buildings and only adding the volumes that serve as vertical distribution.

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

OPERASTUDIO, Camillo Magni_Operastudio, Lucia Paci_Operastudio, Francesco Nobili, Andrea Zecchetti, Mirco Monti — Europan 12 | Wittenberge

Pinko Shanghai - matteo colla

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All’interno del centro commerciale Kerry Center, un negozio costituito da due ambienti separati da un freewall centrale. La scelta dei colori e delle finiture rispecchia il concept adottato per i negozi Pinko. L’arredamento è studiato in modo da lasciare piena libertà di movimento: la merce appesa è posizionata su freestander adiacenti alle pareti, mentre al centro area manichini e tavoli arredano e mostrano senza togliere permeabilità visiva. Pannelli metallici traforati con i motivi che richiamano le lettere del brand sono presenti in vetrina su binari che permettono di cambiare posizione a piacere. Doppi pannelli sovrapposti sono posizionati al centro per separare ingresso e vetrine creando una sorta di portale d’entrata.

matteo colla — Pinko Shanghai

matteo colla — Pinko Shanghai

matteo colla — Pinko Shanghai

Progettare la cultura. - Archea Studio Associato, Riccardo Nicolini, Gabriele Calzolari

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L’idea progettuale per la nuova biblioteca si è sviluppata attraverso l’analisi del luogo, degli edifici limitrofi,delle funzioni che il fabbricato stesso ha assolto e dovrà assolvere. La ricerca della semplicità e dell’ordine è alla base di questo progetto architettonico. Un’architettura capace di riconnettere e non isolare, individuabile senza curiosità, libera dal superfluo, anche se l’essenza del superfluo non significa necessariamente semplicità: La semplicità si coniuga con equilibrio, armonia, ordine. L’ordine si trova ad ogni livello di complessità tant’è che l’architettura tanto piùè complessa, tanto più necessita di ordine per la sua comprensione.Quindi la volontà e la necessità di dare un’immagine che passa attraverso la ricucitura di spazi, di risulta (ex industriale-artigianale), in cui si dipana l’essenza abitativa e di servizi dell’insieme urbano. Costruire l’architettura significa anche che i suoi segni, intesi come strumento di comunicazione con i fruitori, sono quelli di interpretare l’identità collettiva e di avviare un processo di identificazione con il luogo e l’architettura.

Archea Studio Associato, Riccardo Nicolini, Gabriele Calzolari — Progettare la cultura.

RE_MIX. Schiedam - Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero

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Introduction

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Bird's Eye

The RE_MIX project comes from the reflection and the research activity on town planning and design in a fragile urban context. RE_MIX means an urban mixité characterized by:
  • the RE_USE of urban voids or brownfield sites;
  • the RE_GENERATION of public areas, aimed at fostering new economic and social development processes;
  • the RE_BUILT based on a new architecture with different features, ensuring the coexistence of several activities, as well as contributing to the creation of a new place-identity. The context is the city of Schiedam, which has a rich, refined historic architecture with a strong industrial tradition. However, because of the transformation of its modern urban landscapes, the city is still searching its own identity. The industry crisis and the subsequent re-organization of the industrial system have led to the reshaping of urban-occupied spaces, as well as to the delocalization from city centres and even to the closure of some enterprises. This brought to an overall reorganization process of the urban functions previously located in the central areas. During this still ongoing process, the city began to perceive a great opportunity, that is using the newly available large central areas in order to face the lack of infrastructures and services caused by a too rapid growth.

The project’s mission

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

In a context characterized by territorial reorganization, is there scope for an optimistic project, such as the planning of new built areas? What role can architecture play in such a context? The project’s team strongly believes that urban and landscape design can actively contribute to local economic development, identifying new urban values, critically analyzing the city context, as well as creating new interactions and synergies within the local socio-economic system. At the same time, the project’s team is well-aware that architecture must be extremely pragmatic. The project aims to trigger spontaneous processes of creation of new urban and community spaces, through “bottom-up” choices, based on growth factors consistent with the place-identity, as well as through users’ participation and fundamental contribution. We believe that RE_MIX can activate socio-economic dynamics able to attract a greater variety of users (including tourists) and develop a dynamic, self-sustainable, eco-friendly, multi-ethnic environment, with a positive impact, in terms of territorial marketing, on the surroundings, thus triggering processes of social and environmental improvement. Re-Mix represents a starting point for the conversion of the whole New Mathenesse area, aimed at the development and the reorganization of its socio-economic functions, starting from the re-use of the existing urban spaces. To this end, the project’s purpose is, on the one hand, the re-design of the VROM site through an urban mixité, within which the production function will play a key role and, on the other hand, the creation of a new connection between the industrial area and the fabric of the city through the re-design of the Koemarkt area. The main challenge is then to re-configure the industrial district, re-giving it to the city. The conversion’s strategy aims at changing the VROM site in a new collective urban opportunity for the local community to create and develop – through creativity and the research of different urban solutions – new assets and businesses acting as a sort of “flywheel” for the growth of the whole regional economy. The work of the project’s team proceeded as follow:
  • Analysis of the New Mathenesse historical background, as well as of the settlement evolution of the area (which is located at the edges of the historic city);
  • Identification of the main element of landscaping potential (such as the frontage on the Buitenhaven and the proximity to the Plantage Park);
  • Analysis of the socio-economic trend;
  • Identification of a key element combining different functions and growth factors.

As far as the latter point is concerned, the project’s team focused its attention on the local industries’ traditional production, which have been chosen as a guide for the entire project’s structure. In fact, industrial production is both the symbolic element of the place’s historical memory and the possibility of rebirth and development for the local community. The project’s team decided to design an urban setting which can be an element of cultural growth, innovation, production, as well as a place for social relationships. The close interrelation of those factors is, indeed, essential for a sustainable and durable development. It is only through a mutual exchange of individuals’ knowledge, skills and ideas, in suitable places, that is possible a successful regeneration. The project is based on the idea of creating relationships between functional areas which have historically been separated and poorly integrated. It indents to create spaces which may stimulate effective relationships in the creativity, research, innovation and production fields, rebuilding appropriate space connections in order to change the project’s area landscape through the improvement of its peculiar physical and historic elements. Inspired by the program n. 3 “Mix with business maximum programme”, RE_MIX is based on such a logic of exchange and mutual relations, identifying for the project’s area a mixed-use of urban functions such as: – production activities, considered both as research and creativity; – a social housing project; – infrastructures (a parking area, new roads and new public spaces).

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

The Concept

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

The Concept

Starting from those preliminary remarks, the project’s team has worked on the identification of the best redesign solution of the areas concerned, i.e. on the identification of the best architecture style able to combine the above-mentioned needs. The sustainability of a project is achieved through the implementation of appropriate urban strategies and operations, through land-use models taking into account both environmental issues and the local production system. The starting point of the project’s proposal is, undoubtedly, the need to create a new, modern urban fabric open to the historic city, the canal, as well as to the surrounding industrial area. The final purpose is to get a space-continuity between these three physical elements, still untied, as well as to re-give architectural harmony to a fragmented and useless site. In fact, the site’s surroundings are characterized by the significant presence of industrial architecture. The project’s concept starts exactly from the modularity’s charm of this kind of architecture, as well as of its features, such as the large size of production barns, the saturation of the available spaces and above all the type of trusses’ roofing with regular and harmonious lines. Inspired by these suggestions, the first step of the project’s proposal provides for a complete saturation of the VROM site through the creation of a single industrial building, with an orthogonal base, which will contain all the RE-MIX functions. The second step consists in creating a physical connection between Koemarkt and the VROM site, currently separated by a residential curtain, in order to address one of the crucial problems identified during the context analysis. Considering the presence of housing units on Rotterdamsedijk not as an impediment or an obstacle, but instead as an opportunity to connect, and breaking through the ground-floor of one of these units, by the way already been purchased by the municipality, the project provides for the creation of a dominant direction, that has generated the design of the entire lot VROM, respectively connecting one side with Koemarkt, through an eco-boulevard, and to the other site with the channel and the near Plantage, leads through the design of new quays and the design of a pedestrian bridge. Next, for ensure urban porosity, have been identified other dominant directions, breaking the rigidity of the initial grid pattern, we have generated new pathways and connections, setting the standards for new residential volumes of various sizes and shapes. Finally, to create new spaces in attendance to the city, the new district and especially for the people, we have moved to a final action, clearing and smoothing out some building and placing other VROM overlooking the canal and the square of Koemarkt, creating, as well, new equipped public spaces, green areas and optimizing connections with the context. The strategy chosen, as the best design approach was to start from the saturation level of the building lot and then proceed to subtract, taking lead by the influences of the consolidated city, the channel Buitenhaven, the opposite shore and the nearby industries have on the site, obtaining in this way a unique space physicist can give an opportunity for Schiedam future redevelopment and conversion of the whole area of the city making it a New Mathenesse capable of adapting to contemporary needs and the future of propulsion development.

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

The Project

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

The area involved in the project is composed of a variety of architectural themes, each and every one essential and whose unitary development created the entire program RE_MIX. As a matter of fact, our intervention was not only limited to the spatial restoration to a useable condition of the site VROM; the project involved a larger area, redesigning entirely Koemarkt, through the remodeling of the road lanes, strongly reshaped in the future thanks to the expansion of other routes in the outline, and the intervention on the square itself with the creation of a tree lined eco boulevard. The eco boulevard represents the common thread of the entire project; the element that with its tree lined thread sews up the fragmented urban system. Starting from the north section of the area, this clings to the vegetation already present on Broersvest, to open itself toward west on the Koemart New Urban Forest, a section characterized by rest and gathering areas which connects with the historic district, and afterwards goes down south, reaches Buirenhavenweg through the Vrom new urban intervention, converses with water and wind resting on the docks new layout, climbs over the Buitenhaven through a footbridge and finally reconnects with the adjacent Plantage Park. Either you are Walking or cycling along these routes you will come across many places, each one telling a fragment of the history of Schiedam, of its past, present and future. Characteristic element of this walk is the wind tower, technological artifact which reminding of the old windmills still present along the canal route symbolizes the urban regeneration and environmental rebirth of the area, once heavily polluted, producing clean energy which contributes to the sustainability of the project. The Vrom site represents a crux of the project, a single space capable of gathering various activities, a new pole, and future container of a series of initiatives capable of improving the entire area for a better urban quality of the old industrial neighborhood of New Mathenesse. The redevelopment plan provides the inclusion of business activities and some housing units.

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Business activities will be linked to the reuse and regeneration of the old industrial activities already present, but interpreted in a new form such as art-production and research-production. The first one will become an opportunity for redevelopment and expansion, because the goal will be no longer an uncontrolled and oversized production and homologation, But a quality production where the excellence will replace the big numbers. The second is meant to be interpreted as experimentation in the industrial area, in the choice of the materials and raw materials, as well as for the production cycle, including virtuous processes of recycling and reusing and limiting to the minimum the environmental impact through the use of alternative energy sources. The whole production cycle is intended to be zero impact on the environment, starting from the materials supplying stage, through the production itself and ending with the disposal and/or recycling of waste products. Housing units. In the past we used to come into the world, grow up and die in the same place. In the era of technology, movement, speeding, the habits of the human beings are completely different from those of our ancestors. These aspects have radically changed our lives, promoting people to frequently move either for studying or work purposes. All this clearly affects our habits: we spend time in some cities for working reasons, and then we move again because of them or to reunite with family. It is the so-called phenomenon of new nomadims. Hence the idea of assigning a portion of the residences to small temporary homes, another portion to housing of young couples or families at a facilitated fee and the rest to share houses with larger square footage, housing units designed to accommodate the touch and go users of the big cities, housing units for city users, basically nomads who make occasionally use of the city and who often do not find housing solutions that meet their requirements. Accommodations are often too expensive and not easily available. Designing a valid alternative to the traditional concept of housing looked to us as a concrete answer to the changed contemporary housing needs. For example, sharing big apartments with other people is a fast way to socialize in a new city as well as an excellent solution to contain costs. The expectation of this kind of dynamic housing is also ideal for accommodating those tourists who would rather blend into the local modus Vivendi than get a room in a hotel, sharing the share houses, and thus creating culturally and socially interesting multi-ethnic environments. The subject actually extends the traditional concept of Social Housing , merging together in a single social context housing units designed for stable families and temporary users who make use of it for limited periods of time. We paid particular attention also to the redesign of the shore on the canal which brushes the flow area. The Dutch territory has always been mentioned for its connection with water. Sophisticated systems of dams and canals allow gaining pieces of land taking it away from water. The limit between land and water is rethought as a game of addition and subtraction which determines the design of the new waterfront along Lange Haven and Buitehaven. The new docks generate amusement spaces and touristic mooring points, turning the site into the new city’s gateway from the water, virtual and symbolic door that rises up next to the old Rotterdamse Poort.

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Board 1

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Board 2

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Board 3

Paolo Pellecchia, Carla Famiglietti, Cecilia Polcari, Francesco Ramondino, Antonella Guerriero — RE_MIX. Schiedam

Il progetto strategico delle reti per Villa San Giovanni - Nicola Fazio

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L’intervento consiste nella riconversione, riqualificazione e valorizzazione dell’area nord della città, prevedendo la realizzazione dell’intubata ferroviaria da Pezzo a Porticello (in base alle direttive del Piano Strategico di Villa S.G.),continuando l’esistente variante ferroviaria di Cannitello ( opera propedeutica al Ponte sullo Stretto). Una volta dismesso il tracciato ferroviario sarà realizzato un parco urbano lineare prevedendo una pista ciclo-pedonale e aree attrezzate a verde con conseguente riqualifica dei sottopassi esistenti, permettendo il collegamento mari-monti. All’interno del parco saranno inserite delle strutture ricettive, caratterizzate dal riuso di carri merce ferroviari attualmente in stato di abbandono e situati nel parco merci della stazione centrale di Villa S.G. Il riuso dei carri merce vuole affrontare non solo il problema della quantità ,dato che il territorio è pieno di vagoni dismessi, ma soprattutto dal punto di vista dello smaltimento visto che i carri sono realizzati con materiane nocivo come l’amianto.

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Vision

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Inquadramento territoriale e azioni

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Ecoinfrastruttura. Strategie per il tratto ferroviario di Pezzo-Cannitello

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Layout e Masterplan

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Sezioni trasversali nelle fermate del bus

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Rmmnss

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Vfaccs

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Eaos

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Ddm

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Gabs

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Hbbillns

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Riuso carri merce dismessi integrati a nuove tecnologie e materiali sostenibili_Carro merce tipo Gbhs

Nicola Fazio — Il progetto strategico delle reti per Villa San Giovanni

Visions


Loft P - pinoni+lazzarini

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Il Loft P a Faenza (Ra) è un progetto di restauro di un palazzo dell’800 sito nelle strette vie del centro storico. L’appartamento, che si trova al secondo ed ultimo piano, si apre con la sua corte retrostante a sud osservando i tetti e i campanili della città ravennate. Il progetto si è basato in prima istanza sullo svuotamento del volume dell’attico, poi inserendo un elemento di forte contrasto all’interno. L’elemento corridoio ha una duplice funzione, separare e distribuire la zona notte da quella giorno e creare un soppalco adibito ad atelier.

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

pinoni+lazzarini — Loft P

Restauro conservativo Casa Canonica Monteleone di Puglia - Casullo Arch. Girolamo

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L’intervento consiste nel risanamento conservativo, e consolidamento della struttura edilizia particolarmente degradata, a causa del sisma del novembre 1980/81. Demolizione solaio di copertura in legno e rifacimento dello stesso in legno con struttura portante principale di capriate.

Casullo Arch. Girolamo — Restauro conservativo Casa Canonica Monteleone di Puglia

La strada è di tutti! - Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi

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Il centro storico di Pieve di Cento presenta una morfologia del tessuto urbano originario ancora integra nelle sue qualità architettoniche ed ambientali e si caratterizza per una struttura prevalentemente omogenea ed unitaria degli spazi aperti e delle quinte stradali. [...] I temi individuati come riferimenti per sviluppo dell’idea progettuale sono quindi l’omogeneità dei materiali, la diversificazione dei percorsi in funzione dei differenti tipi di mobilità e la valorizzazione degli elementi identitari e specifici del luogo.

Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi — La strada è di tutti!

L’ipotesi di riqualificazione della pavimentazione stradale si basa nell’utilizzo di pietra naturale e sul concetto di “inerte e legante”, rimandando al sistema costruttivo dell’acciottolato storico.

Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi — La strada è di tutti!

L’idea consiste nell’utilizzo di inerti di differente granulometria, ricavati dallo stesso tipo di pietra naturale ed abbinati ad un legante trasparente che permette di conservarne le caratteristiche cromatiche e materiche.

Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi — La strada è di tutti!

Le diverse modalità di utilizzo della stessa pietra, derivanti dalla dimensione degli inerti e delle lastre, sono state associate a differenti luoghi, ognuno destinato ad un diverso uso per la mobilità.

Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi — La strada è di tutti!

In questo modo è possibile diversificare i percorsi e individuare le aree pedonali, carrabili e ciclabili, conservando le stesse caratteristiche cromatiche e materiche della pietra naturale ed ottenendo un insieme omogeneo con elevate qualità ambientali.

Ibaca architetti - Stefano Baldaccioni & Mila Cappello, Lorenzo Pesaresi — La strada è di tutti!

BUILDING HOUSING, in LISBON - Alexandre Marques Pereira

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The first ideas to this housing project appear naturally, as the way we become to discover, the real character of the site, the program, and some of the clients wishes.

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

Since the beginning there was one conceptual presupposition that was essential to pursuit. That was to work with all the different limits, and make them participate in the process of conceptual composition, from the limitation of the area of implantation, or the limitation of the maximum height allowed in the street facade (12m), or the limitation of the program (four independent houses), or even the different urban regulation`s. So all these limitations should stimulate the compositional freedom. And so have grown up many intentions that have materialized in the project.

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

The front for the street must be something contained in terms of design and composition, but the back facade could have a freer composition, as if the facade of the street to take a more public sense and the facade of the garden to take a more private way, another important aim is to take some outside reflection of inner systematization.

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

Alexandre Marques Pereira — BUILDING HOUSING, in LISBON

Restaurant-Spa - Bilbao Architecture Team, Matteo Cassano

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L’intervento prevede l’adattamento e l’ampliamento di locali esistenti per accogliere un centro benessere con annesso ristorante. Il centro si sviluppa, complessivamente, su una superficie di circa mq 385 mq dove trovano spazio la reception, un centro benessere ed i relativi servizi accessori quali, docce bagni, spogliatoi, sale massaggi, sala fitness, solarium con i relativi servizi accessori sauna umida e sauna secca ecc. ed un ristorante bar.

Bilbao Architecture Team, Matteo Cassano — Restaurant-Spa

vista sala vasche

Bilbao Architecture Team, Matteo Cassano — Restaurant-Spa

sala ristorante

Bilbao Architecture Team, Matteo Cassano — Restaurant-Spa

Bilbao Architecture Team, Matteo Cassano — Restaurant-Spa

Bilbao Architecture Team, Matteo Cassano — Restaurant-Spa

Edificio commerciale Medicalcenter - Potenza - Giorgio Stefanelli

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Riqualificazione architettonica ed energetica di un edificio commerciale sito in Tito (Pz). Il progetto prevedeva la costruzione di una nuova veste architettonica dei prospetti e il miglioramento energetico della struttura. Tale obbiettivo è stato ottenuto mediante una nuova distribuzione e razionalizzazione delle aperture (finestre), un cappotto termico con parete ventilata in gres 30X60 e porticati sul prospetto principale ingressi. L’edifico ottenuto ha acquisito nuova identità architettonica e classe energetica A.

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Prospetto principale

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

ingressi uffici, negozio, showroom

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Prospetto a valle, depositi merci

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Rendering di progetto

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

dettagli costruttivi

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

dettaglio lato nord

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

dettaglio lato sud

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Il sito

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Bioclimatica

Giorgio Stefanelli — Edificio commerciale Medicalcenter - Potenza

Interno corpo scala

Weekend con l'Architettura - Valeria Ingrao, Alessandra Accardi - Liborio G. Ferrara

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L’evento consiste nel creare durante un fine settimana un percorso espositivo che attraversa la città di Alcamo, tracciato dagli studi degli architetti che aprono le porte al pubblico, svelandone lo spazio creativo ed il luogo in cui sono raccolti materiali e progetti, noti o inediti, raccontando i segreti del proprio lavoro. Attorno a questo percorso, che rappresenta il fulcro dell’iniziativa, saranno realizzati una serie di eventi collaterali, riportati di seguito, e volti a creare ulteriori occasioni di incontro fra progettisti, cittadini e imprese. Inoltre alcuni dei lavori dei progettisti potranno essere presi in visione nelle vetrine dei principali negozi del centro città, che hanno messo a disposizione ulteriori spazi in cui gli architetti potranno raccontarsi. Gli sponsor che hanno permesso la realizzazione dell’evento sono stati molteplici ed alcuni di essi ospiteranno presso i propri esercizi incontri con gli architetti.

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

locandina dell'evento

Gli organizzatori dell’evento sono stati: architetto Valeria Ingrao architetto Alessandra Accardi architetto Liborio G. Ferrara

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

inaugurazione dell'evento gli organizzatori: - arch. Valeria Ingrao - arch. Alessandra Accardi - arch. Liborio G. Ferrara

EVENTI COLLATERALI: Giovedi 02 gennaio _ Luci di Achille e Pier Giacomo Castiglioni Alcamo – Ardar Store via Balatelle, 31 (per tutta la durata) _ Inaugurazione Mostra “ARCHITETTANDO 2.0 _ Qualità, Ricerca, originalità” a cura di Gi.Archi.T. Giovani Architetti della Provincia di TP (per tutta la durata) Alcamo – Centro Congressi Marconi , Sala Rubino ore 19.00 _ Mostra fotografica a cura dell’arch. Ivano Iaia, fotografo per l’associazione Shoot 4 Change Alcamo – Caffe letterario Fluxux, Collegio dei Gesuiti ore 20.00 (per tutta la durata) _ Personale di pittura dell’arch. Maurizio Brancato Alcamo – Presso il locale “living room”; Corso VI Aprile (per tutta la durata) _ Aperitivo con gli Sponsor

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Venerdi 03 gennaio _ Colazione presso la ditta Proia La Ceramica di Alcamo ore 11.00 _ Apertura studi dalle ore 18:00 alle ore 20:00 _ Aperitivo presso la ditta Gipal di Alcamo ore 19.00

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Sabato 04 gennaio _ Colazione presso la ditta Legno Ferro di Alcamo ore 11.00 _ Apertura studi dalle ore 18:00 alle ore 20:00 _ Cocktail presso Ardar Store di Alcamo ore 19.00 _ After-dinner presso Mulè arredamenti di Alcamo ore 22.00

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Mulè arredamento

Domenica 05 gennaio _ Brunch presso Chiarenza mobili di Castellammare del Golfo ore 11:00 _ Apertura studi dalle ore 18:00 alle ore 20:00 _ Cocktail di chiusura presso la ditta Adragna luci di Alcamo

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Gipal ceramiche

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Adragna Illuminazione

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

una vetrina allestita

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Ardar

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da legno ferro

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Proia la ceramica

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

evento da Chiarenza

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura

Valeria Ingrao, Alessandra Accardi  - Liborio G. Ferrara  — Weekend con l'Architettura


GARDEN PAVILION - Alexandre Marques Pereira

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This small garden pavilion, acts not only as support to the garden or the main house, but also as a building with its own autonomy in terms of its conceptual logic, its composition and its construction, or is own program and functional response.

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

Alexandre Marques Pereira — GARDEN PAVILION

FIL ROUGE | Prospettive che legano la città - LOTTI E FRANCINI ARCHITETTI, Spartaco Francini, ANDREA LOTTI, SANDRA CALOSI

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Le idee che si sono sviluppate attorno alle prime impressioni sullo spazio pubblico sono state quelle ci hanno poi guidato nell’affrontare la progettazione d’insieme e di dettaglio. Le richieste del bando si sono unite ai valori e alle intenzioni che abbiamo voluto imprimere allo spazio pubblico dell’area oggetto del bando. Prima di tutto abbiamo considerato l’importanza dell’unitarietà e della qualità dello spazio urbano. Fin da subito abbiamo ricercato soluzioni che possano essere assorbite dalle abitudini dei cittadini, abbiamo disegnato spazi che valorizzano le emergenze storiche, che danno maggiore identità ai luoghi, agli spazi e ai singoli elementi. Fondamentale è stato il concetto centrale del bando, ossia la riqualificazione paesaggistica e ambientale.

LOTTI E FRANCINI ARCHITETTI, Spartaco Francini, ANDREA LOTTI, SANDRA CALOSI — FIL ROUGE | Prospettive che legano la città

Abbiamo considerato fondamentale restituire agli edifici e ai cittadini uno spazio vivibile, adeguato e qualificato. Inoltre, vista la dimensione raccolta della città, abbiamo posto l’accento sull’importanza della connessione e dell’unità del tessuto. Dopo queste prime riflessioni abbiamo evidenziato all’interno dell’area gli elementi focali, nei quali tutta la cittadinanza si riconosce, e abbiamo fatto uno studio delle viste prospettiche che legano le varie zone del centro basso e il fondovalle con il borgo medievale. Da questo “brain storming” di idee siamo passati a definire il concetto che sta alla base di tutto il nostro progetto, l’elemento che ci ha guidati, il leit motiv di ogni parte: la forte caratterizzazione di Certaldo Alto, dal colore rosso mattone e il forte distacco rispetto a Certaldo basso, data la diversa datazione, sono stati i due elementi che ci hanno portato all’idea del “Fil Rouge”.

LOTTI E FRANCINI ARCHITETTI, Spartaco Francini, ANDREA LOTTI, SANDRA CALOSI — FIL ROUGE | Prospettive che legano la città

“Fil Rouge” significa letteralmente filo rosso; questa espressione viene utilizzata per esprimere un concetto di continuità e di legame. Nel nostro progetto questo concetto è stato inteso come l’intenzione di ricucire il tessuto del centro alto e basso e di realizzare una riqualificazione forte e riconoscibile. Oltre all’aspetto concettuale del filo rosso abbiamo anche utilizzato il rosso, caratteristico del borgo medievale come colore caratterizzante e riconoscibile in un elemento che come un filo attraversa il centro e collega tutte le sue parti. L’elemento di connessione del tessuto attraversa lo spazio e definisce l’area del centro pedonale e unisce gli elementi principali di questa zona, sia le emergenze architettoniche, sia gli spazi sociali di ritrovo, sia gli elementi storici.

LOTTI E FRANCINI ARCHITETTI, Spartaco Francini, ANDREA LOTTI, SANDRA CALOSI — FIL ROUGE | Prospettive che legano la città

Attorno all’intenzione di definire un elemento che accompagna un visitatore immaginario attraverso i punti fondamentali del centro si è sviluppato un altro tema, quello delle prospettive, chiamate “Perspective Rouge”, tema secondario. Camminando sul Fil Rouge, sempre nell’intenzione di legare il borgo alto e basso, si trovano degli elementi di segnalazione sulla nuova pavimentazione. “Perspectives Rouge” sono dei punti di vista che collegano lo spazio pubblico con la vista panoramica verso Certaldo Alto. Tutte le scelte di progetto, la definizione degli spazi e la scelta dei materiali hanno seguito il concetto del “Fil Rouge”.

Benches Park - Stefano Ivaldi, Simone Valsecchi

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The project for the former Dubied areas has the flavor of a challenge. Launched by the theme of the adaptable city, comes from an interpretative reading of the territory at large scale. The study area is located in the interior of a linear network that holds together the villages that form the City of Travers, along the valley of the Areuse river. It is an enclave between the waterway and the regional railway, highly introverted, cropped from its infrastructural borders. An area with a strong longitudinal development that works at the same time as an interface between the urban grid of Couvet and the landscape, becoming a meeting point between nature and culture. In this context, the project’s aim is as much about the role of longitudinal form defined by the orography of the valley and infrastructure that cross it, as about the transversality, which defined the matrix of development of the urban grid. If you ponder the orientation of the mainstreet you can also realized how that element is basically due to a village that was originally developed perpendicular to the development of the Valley of Travers.

Stefano Ivaldi, Simone Valsecchi — Benches Park

Benches Park then opts for a bilateral settlement principle, capable of turn the former industrial area centripetal and to return it to the city. This gives rise to two intentions. First the aim is to work on the theme of the park as a place for civil and to offer public space of relationship in con- tinuous evolution. The space is characterized by metamorphic material for excellence: the green, open to annual and stagional changes. The main updatable space, with its infrastractural role, is able to allow the widest use. Secondly the choice to work using a grid that holds together lengthways and transverse. On this “support” descend three linear elements (the park, a woonerf and a footpath along the river) and other cross which result as an alternation of full and empty bands. These ensure compliance with the existing and the creation of green themed rooms, the first are defined by buildings that extrude and fold to become public terraces and telescopes on the landscape.

Stefano Ivaldi, Simone Valsecchi — Benches Park

The intervention at last faces the theme of time, which translates on one side with the attempt to think of functions and spaces able to ensure a continuous use of the park in different time slots, on the other side with the need to think of a chrono program allowing a phased implementa- tion of the design process. A plan open to doubt and uncertainty rather than absolute, certain and predetermined. This latter aspect underlying the theme of the city in evolution, built by parts, not to be understood as a set of urban fragments without logic, but rather as part of a whole, of a project and an overall design, a scenario and a vision for the city of Couvet.

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Stefano Ivaldi, Simone Valsecchi — Benches Park

Piazza ohm, Milano - Corvino + Multari

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Piazza Ohm, a sud del naviglio grande, è l’incrocio di cinque strade, importanti flussi di traffico in ingresso ed in uscita dalla città, nella parte sud-ovest della fascia periurbana milanese.

Corvino + Multari — Piazza ohm, Milano

Tale contesto, fortemente disomogeneo, ha la propria singolarità e specificità nei fenomeni di più lunga durata: il naviglio grande, la traccia di via santa Rita da Cascia con il santuario, il sedime del cavalcavia don Lorenzo Milani con le vecchie fabbriche, il segno della storica via Morimondo che segue l’asse di inclinazione della pianura padana e la non lontana chiesa di san Cristoforo, nodo principale di uno dei pochi frammenti di tessuto urbano medievale rimasti a Milano. Il progetto definisce questi come gli elementi dell’intero piano di riqualificazione e su questi elementi lavora, tentando di recuperare una evidente perdita del rapporto tra il disegno del suolo e la costruzione dell’edificato, in un luogo nevralgico del traffico veicolare. L’idea proposta conserva il sistema della viabilità, definendo nuove sezioni stradali e ambiti pedonali che operano la messa in campo dello spazio urbano, orientato da una logica policentrica: la superficie di spazio pubblico, attraverso una vegetazione ritrovata, si diffonde per tutta l’area di intervento aumentando quantitativamente e qualitativamente gli spazi di relazione in questa porzione di città. In questo scenario la complessità della città contemporanea viene qui fissata senza rinunciare ad alcun elemento: pedoni, biciclette, auto, trasporto pubblico, edifici singoli ed in cortina, vecchie fabbriche, strade, infrastrutture etc., trovano un “ordine” ed una “scena”.

Corvino + Multari — Piazza ohm, Milano

Il tema compositivo può essere riassunto in due obiettivi:

Corvino + Multari — Piazza ohm, Milano

il primo è la definizione di piazza ohm attraverso l’ampliamento significativo delle sedi pedonali che consentono un disegno di percorsi a più velocità trasformando uno svincolo viabilistico in una piazza dove, a fianco dell’attraversamento pedonale veloce, è presente uno spazio di qualità per la sosta e le relazioni sociali. Simbolo di questa rivitalizzazione della piazza è il termometro di luce, che diventa manifesto interattivo della nuova piazza. un sistema illuminotecnico composto da due elementi, sull’asse storico di via Morimondo, alti 12 m, comunica, attraverso la luce, il variare del tempo e delle stagioni.

Corvino + Multari — Piazza ohm, Milano

Il secondo, altrettanto importante, è l’aumento della dotazione di verde che, nella combinazione delle essenze scelte, il bosso e l’ontano bianco betulaceo, diventa paesaggio urbano e scenario ideale per uno spazio pubblico determinato sia da spazi marginali che disegnano percorsi esterni adatti all’attività fisica, sia da spazi inclusi tra un’oasi e l’altra, segnalati da un cambio di pavimentazione e che favoriscono la sosta.

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Corvino + Multari — Piazza ohm, Milano

Rénovation d'une maison - ar-ter

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L’habitation se situe dans un ensemble de logements, longeant la route d’Anières, dans le centre du village d’Anières. La partie d’habitation se situe en aval de cet ensemble, bénéficiant d’une magnifique vue sur le lac Léman et le Jura.

ar-ter — Rénovation d'une maison

@ olivier zimmerman

Le projet de rénovation de la maison consiste à libérer entièrement l’espace intérieur de la maison, sans toucher à l’envelope extérieure. Une attention particulière a été portée aux aspects énergétique, en isolant les murs périphériques intérieures, la dalle supérieure et inférieure. Un nouveau système de chauffage est assuré par une nouvelle pompe à chaleur et un chauffage par le sol.

ar-ter — Rénovation d'une maison

@ olivier zimmermann

Le concept de réaménagement propose de retrouver un vaste espace ouvert sur le grand territoire lacustre. Une cuisine ouverte offre ainsi une relation directe avec l’espace environnant et les autres espaces de vie.

ar-ter — Rénovation d'une maison

@ olivier zimmermann

Autour de la «boîte», contenant locaux sanitaires et rangement, sont articulés les différents lieux domestiques; salon, cuisine, espace à manger, chambre et entrée. Une paroi coulissante et une porte à pivot permettent la privatisation de la chambre sans prétériter la fluididé des espaces.

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